GIORGIO MORANDI : LATE PAINTINGS

吉奥吉奥：后期的莫兰迪绘画

乔治·莫兰迪是二十世纪受人喜爱的画家之一

他创作的作品至今仍对全世界的观众产生着神秘的力量。

在此期间，莫兰迪发展并完善了他对序列、还原和排列组合形式和构图的研究，这些作品对二十世纪的艺术和绘画产生了深远的影响。这些作品包括 1952 年创作的十幅标志性 "黄布 "画作中的五幅，该系列在 1998 年威尼斯佩吉-古根海姆收藏展上大放异彩。这些图版经过精心复制，让人身临其境地感受到作品中特立独行的视角和色彩，正是这些决定赋予了作品抽象的力量。这本画册出版于 2015 年莫兰迪在纽约大卫-茨维尔纳（David Zwirner）举办的这一时期画展之际--《纽约时报》称，莫兰迪这一时期的画作代表了 "清晰的完美，既有头脑又有激情"。这标志着自 2008 年在纽约艺术博物馆举办广受赞誉的回顾展以来，该艺术家的晚期作品首次在美国大规模展出。

除了展览组织者劳拉-马蒂奥利（Laura Mattioli）的文章和大卫-莱伯（David Leiber）的前言之外，这本画册还收录了一系列当代艺术家的精彩作品： John Baldessari、Lawrence Carroll、Vija Celmins、Mark Greenwold、刘野、Wayne Thiebaud、Alexi Worth 和曾梵志。他们对莫兰迪的作品，尤其是对兹维尔纳展览做出了个人回应。这些撰稿人的作品涉及多个领域的不同媒体，充分证明了莫兰迪绘画作品的影响力及其对当代艺术的影响。

This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York.

In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.

媒体推荐

"莫兰迪描绘了一个触手可及却又无法触摸的现实世界，为视觉注入了微妙的触觉挫败感。其结果是一个本体论之谜，将视觉与触觉混淆在一起，两者都对其相互性感到惊奇"。彼得-施杰尔达尔--《纽约客》

"在他的静物画中，崇高" -- 凯伦-威尔金（Karen Wilkin）--《华尔街日报》

"对几何和光线的严谨探索" -- Dorothy Spears --《纽约时报》

"莫兰迪的作品彰显了他的细心、克制和技巧......在大卫-茨维尔纳（David Zwirner）举办的展览展现了莫兰迪成熟的一面"。莎拉-芬森（Sarah E. Fensom）--《艺术与古董》

"莫兰迪的静物画很容易让人产生深刻的印象，但却不知道他是如何做到的。你必须再看一遍，才能重新进入其中的奥秘......美是[莫兰迪]经常性的安慰，也是我们经常性的幸福"。工作人员--《纽约客》

"乔治·莫兰迪的神化有点出人意料......在这个不断增长的作品集中，我们现在可以加上 David Zwirner Books 的《乔治-莫兰迪：晚期绘画》中收集的其他当代艺术家的观点"。-- David Carrier - The Brooklyn Rail

"乔治-莫兰迪（Giorgio Morandi）在其职业生涯中一直喜欢在工作室中摆放瓶子、花瓶和其他物品，并以此为题材创作小型静物画，这就像轻声重复的喃喃祈祷一样，让人感到既舒适又保守。这位意大利现代艺术家一直被认为是'艺术家中的艺术家'，他那不起眼的油画作品已经拥有了一批追随者"。朱利安·克里默（Julian Kreimer）--《美国艺术》

乔治·莫兰迪 1890 年出生于意大利博洛尼亚，在那里一直生活到 1964 年去世。1907 年至 1913 年，他就读于博洛尼亚美术学院，1930 年至 1956 年，他在该学院担任雕刻和蚀刻教授。到 1920 年，莫兰迪开始创作小幅静物和风景画，这是他一生的创作方向，除了他自己的风格之外，没有任何其他流派或风格与之相关。

劳拉·马蒂奥利是意大利重要收藏家詹尼-马蒂奥利（Gianni Mattioli）的女儿，1949 年，詹尼-马蒂奥利收购了皮埃特罗-费罗尔迪（Pietro Feroldi）的藏品，其中包括乔治-莫兰迪 1910 年代至 1940 年代的作品。劳拉童年时曾随父亲参观过莫兰迪，几乎一生都与他的画作相伴。她拥有艺术史博士学位，自 1984 年以来，她一直管理着父亲的收藏，并为这些收藏收购了更多莫兰迪的作品。Mattioli 曾多次策划关于这位艺术家的展览，包括在维罗纳和威尼斯举办的《最后的莫兰迪》（1997-1998 年）、在纽约卢卡斯-肖曼斯画廊举办的《乔治-莫兰迪：晚期绘画，1950-1964 年》（2004 年），以及在法国土伦艺术酒店举办的《乔治-莫兰迪与现实抽象》（2010 年）。2013 年，她在纽约创立了意大利现代艺术中心，并在 2015-2016 年和 2018-2019 年举办了两次关于莫兰迪的展览。

Giorgio Morandi was born in 1890 in Bologna, Italy, where he lived until his death in 1964. From 1907 to 1913, he was enrolled at the Bologna Accademia di Belle Arti, where he later served as the professor of engraving and etching from 1930 until 1956. By 1920, Morandi established the small-scale depictions of still lifes and landscapes that he would pursue throughout his oeuvre, and that were associated with no other school or style but his own.

Laura Mattioli is the daughter of the important Italian collector Gianni Mattioli, who in 1949 acquired Pietro Feroldi’s collection that highlighted the relationship between Italian modernists and French Post-Impressionists, and which included works by Giorgio Morandi from the 1910s to the 1940s. With her father, Laura visited Morandi during her childhood and has lived with his paintings practically all her life. She holds a PhD in the history of art, and since 1984 she has managed her father’s collection, for which she has acquired additional works by Morandi. Mattioli has curated several exhibitions on the artist, including Last Morandi (1997–1998), in Verona and Venice; Giorgio Morandi: Late Paintings, 1950–1964 (2004), Lucas Schoormans Gallery, New York; and Giorgio Morandi et l’abstraction du réel (2010), Hotel des Arts, Toulon, France. In 2013, she founded the Center for Italian Modern Art, in New York, where she has presented two exhibitions on Morandi, in 2015–2016 and 2018–2019.

出版社 ‏ : ‎ David Zwirner Books (2017年 5月 23日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 96页

ISBN-10 ‏ : ‎ 1941701566

ISBN-13 ‏ : ‎ 978-1941701560

商品重量 ‏ : ‎ 880 g

尺寸 ‏ : ‎ 22.86 x 1.78 x 26.67 cm