书名：Joan Mitchell: Paintings 1979–1985 / 琼·米切尔：1979—1985年画作
定价：445.0
ISBN：9781644231180
作者：Joan Mitchell
版次：1
出版时间：2024-01

内容提要：
书名：Joan Mitchell: Paintings, 1979–1985 / 琼·米切尔：绘画，1979–1985
作者：Joan Mitchell（艺术家）；Julie Otsuka（撰文）；Shinique Smith, Lily Stockman（撰稿）；Yves Michaud（访谈）
出版社：David Zwirner Books，2024年
装帧：精装，104页
语种：英文
尺寸：约 23.5*31.6 cm（9.25 x 12.5 英寸）
ISBN：978-1-64423-118-0

简介

“2022年最佳展览之一的条目……米切尔当时五十多岁，在聚集起闪烁燃烧如火焰光环般的笔触中达到巅峰状态。”——Jerry Saltz，《纽约》杂志
这本备受期待的出版物聚焦于1979至1985年——琼·米切尔数十年职业生涯中一个重要且极具创造力的时期。随着米切尔更加全身心沉浸于她在法国韦特伊的庄园日常生活——被郁郁葱葱的花园环绕，并受到新创作关系的挑战与启发——她的工作室实践蓬勃发展，作品变得更为雄心勃勃且广阔。这一时期以日益大胆的调色板创作的作品，体现了米切尔在构图、尺度和色彩方面细腻的精湛技艺。除了大尺幅抽象作品，本书还收录了众多较小尺幅的画作以及精选的档案材料。
书中包含多篇补充文本：畅销书作家Julie Otsuka撰写的文章回顾了她多年来与米切尔画作的相遇；一篇米切尔与法国哲学家Yves Michaud于1986年的精彩对话；以及艺术家Shinique Smith和Lily Stockman各自的反思，探讨米切尔创作中独特的组成部分，凸显了她对当今艺术家的持续影响。

"An entry for one of the best shows of 2022. . . . Mitchell, then in her 50s, reaches peak form in gathering brushstrokes that flicker and burn like auras on fire." —Jerry Saltz, New York magazine. This highly anticipated publication focuses on the years 1979 to 1985—a significant and deeply generative period within Joan Mitchell's decades-long career. As Mitchell became even more fully immersed in daily life at her property in Vétheuil, France—surrounded by lush gardens, and challenged and inspired by new creative relationships—her studio practice flourished and her work became even more ambitious and expansive. Executed in an increasingly bold palette, the works from this period exemplify Mitchell's nuanced mastery of composition, scale, and color. In addition to her large-scale abstract works, this publication features numerous smaller paintings and a selection of archival materials. Included in the book are several texts that complement the illustrated works. A new essay by the bestselling author Julie Otsuka recollects her encounters with Mitchell's paintings over the years. A fascinating conversation between Mitchell and the French philosopher Yves Michaud from 1986 is featured. Reflections by the artists Shinique Smith and Lily Stockman each explore a unique component of Mitchell's oeuvre or practice, underscoring Mitchell's continued influence on artists today