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A Kingdom of Images: French Prints in the Age of Louis XIV 1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715

625.00
运费: ¥ 10.00-46.00
A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715 商品图0
A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715 商品图1
A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715 商品图2
A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715 商品图3
A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715 商品缩略图0 A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715 商品缩略图1 A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715 商品缩略图2 A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715 商品缩略图3

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书名:A Kingdom of Images: French Prints in the Age of Louis XIV 1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715
定价:625.0
ISBN:9781606064504
作者:Peter Fuhring
版次:1
出版时间:2015-01

内容提要:

题 目:A Kingdom of Images: French Prints in the Age of Louis XIV  1660–1715 / 想象的王国:路易十四时代的法国版画 1660-1715

作 者:Peter Fuhring

出 版:Getty Research Institute,2015

装 帧:精装,344页

尺 寸:24.7*27.9 cm

语 种:英语

 

 

Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture.

 

This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries.

 










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