基本信息

书名：文化唯物主义

书号：9787521313727

定价：51.9

开本：16开

字数：210000

页码：219

编辑推荐

文化唯物主义兴起于二十世纪八十年代，极盛于九十年代，在时下的文学研究中仍有巨大影响。它在文艺复兴文学和文化研究领域建树颇丰，特别是在莎士比亚研究领域，已占据重要地位。文化唯物主义是对三种文学批评方法——细绎派批评、传统的马克思主义批评以及历史主义批评的有限继承和部分否定，与此同时，它还吸收了雷蒙•威廉斯的文化理论、路易•阿尔都塞的意识形态理论以及安东尼奥•葛兰西的文化霸权理论等思想。

本书首先阐述了文化唯物主义产生的社会历史背景，发掘其理论渊源，比较了它与新历史主义之间的异同；接着探讨了文化唯物主义的两位代表人物——艾伦•辛菲尔德和乔纳森•多利莫尔——的批评建树，并展示其具体的批评手法；最后分别利用文化唯物主义和新历史主义的批评策略对萧伯纳的《芭巴拉少校》和狄更斯的《艰难时世》进行剖析，以例详说其应用方式。

内容简介

《文化唯物主义》个各章节的内容安排如下：“思想渊源与历史”这一部分主要交代了文化唯物主义批评得以产生的社会历史背景，着重探讨了它和细绎派批评、历史主义批评以及西方马克思主义理论之间的复杂关系，并且比较分析了它和美国的新历史主义批评之间的异同；“文化唯物主义批评（一）：艾伦·辛菲尔德”和“文化唯物主义批评（二）：乔纳森·多利莫尔”这两部分分别阐述了英国文化唯物主义的两位最有代表性的人物在文艺复兴文学、莎士比亚研究领域内的批评建树，并以他们的实际研究为案例，展示了他们具体的批评手法；“《芭巴拉少校》的文化唯物主义分析”这一部分，以萧伯纳的名剧为研究对象，运用唯物主义常用的批评策略，发掘出剧中的颠覆性因素，揭示出文本的内在矛盾，并结合具体的历史语境，解释其成因；“新历史主义视角下的《艰难时世》”这一部分，探讨了这部名著与功利主义的复杂关系，反驳了一些研究者对它的误读，发掘出文本中不易为人觉察的矛盾，揭示出这些颠覆性因素最终如何遭到遏制。

目录

总序

················································································· 张 剑 viii

前言

················································································· 赵国新 xvii

第一章 思想渊源与历史 1

1.1 英国新左派

···········································································1

1.1.1 新左派的思想建树

····················································7

1.1.2 老一代新左派

·························································12

1.1.3 新一代新左派

·························································15

1.1.4 新左派的衰落

·························································22

1.2 从历史主义到西方马克思主

义·············································25

1.2.1 蒂利亚德的历史主义批评

·······································27

1.2.2 细绎派的道德形式主义

···········································30

1.2.3 威廉斯

····································································34

1.2.4 阿尔都塞

································································38

1.2.5 葛兰西

····································································40

1.2.6 汉尼曼与布莱希特

··················································41

1.3 新历史主义与文化唯物主义

················································49

1.3.1 格林布拉特

·····························································57

1.3.2 文化唯物主义与新历史主义之异同 ·························61

第二章 文化唯物主义批评（一）：艾伦·辛菲尔德 64

2.1 文艺复兴时期的文学及莎士比亚研究

··································68

2.2 文化唯物主义研究的转向

····················································71

2.3 批评案例（一）

····································································80

2.4 批评案例（二）

····································································84

第三章 文化唯物主义批评（二）：乔纳森·多利莫尔 92

3.1 文艺复兴时期的戏剧与同性恋研究

·····································95

3.2 批评案例（三）

··································································103

第四章 《芭巴拉少校》的文化唯物主义分析 114

4.1 主题与内在矛盾

································································120

4.2 安德谢夫的原型与形象

·····················································124

4.3 英国社会各阶级分析

·························································130

4.3.1 英国贵族阶级的没落

············································132

4.3.2 不合格的接班人

···················································137

4.4 英国工业资本主义衰落的文化起因说

································140

第五章 新历史主义视角下的《艰难时世》 145

5.1 工业小说中的异类

····························································147

5.2 边沁式功利主义与《艰难时世》

·········································150

5.2.1 先期批判

······························································155

5.2.2 功利主义在小说中的体现

·····································158

5.3 约翰·斯图亚特·穆勒与功利主义

····································166

5.4 文本内部的三对矛盾

·························································170

结语 180

参考文献

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推荐文献

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索引

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