Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture 960–1368 CE / 川泽之乐：宋元山水与生态治理
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题 目：Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture, 960–1368 CE / 川泽之乐：宋元山水与生态治理
作 者：Gerui Wang(王格睿)
出 版：Hong Kong University Press ，2025
装 帧：精装，220页
尺 寸：17.8 x 1.9 x 25.4 cm
语 种：英语
Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture, 960–1368 CE examines ecological thought contested amid the rise of the Chinese landscape genre, tracing its intersections with infrastructure governance, natural resource management, and geospatial knowledge. It traces the pre-industrial notion of “sustainability” in policy debates, legal regulations, and arts. Landscape imagery on paintings, maps, as well as mass-produced artifacts such as fans and ceramic pillows documented both appropriate and exploitative use of natural resources, and critiqued on social inequity and political turmoil. This book breaks new ground by bringing together research on visual and material culture with analysis of politics and ecology. Wang argues that the Chinese landscape genre embodied a holistic approach to negotiating debates on human-nature interdependence and people-state relationships. It joins the increasing literature on ecocriticism and offers alternative perspectives to address contemporary challenges, ranging from environmental crisis to global governance.
本书考察了中国山水画兴起过程中生态思想的争议，并追溯了其与基础设施治理、自然资源管理和地理空间知识的交汇点。 亦追溯了前工业时代“可持续性”概念在政策辩论、法律法规和艺术领域的演变。绘画、地图以及扇子、陶瓷枕等批量生产的器物上的山水图像，既记录了对自然资源的合理利用，也记录了对自然资源的剥削性利用，并对社会不公和政治动荡进行了批判。本书将视觉文化和物质文化研究与政治和生态分析相结合，开创了新的研究领域。作者认为，中国山水画体现了一种整体性的方法，用于探讨人与自然相互依存以及人与国家之间的关系 。
佳作书局特别邀请到作者王格睿进行线上讲座，与谈人是包华石教授，围绕本书，探讨宋、金、元时期中国山水图像兴起过程中所蕴含的生态思想，追溯其与基础设施治理、自然资源管理和地理空间知识的交汇。
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