华研原版英文小说 The Phantom Tollbooth 神奇的收费亭/幻象天堂/幽灵收费站
| 运费： | ¥ 0.00-18.00 |
| 库存： | 11 件 |
商品详情
书名：The Phantom Tollbooth神奇的收费亭
难度：Lexile蓝思阅读指数1000L
作者：Norton Juster (作者), Jules Feiffer (插图作者)
出版社名称：HarperCollins Children’s Books
出版时间：2008
语种：英文
ISBN：9780007263486
商品尺寸：13.2 x 1.5 x 19.8 cm
包装：平装
页数：250
《神奇的收费亭》是美国儿童文学作家杰斯特的代表作。本书首印于1961年，历经五十年而不衰，已经成为世界儿童文学宝库中不朽的珍品，被翻译成多种语言，畅销千万册。在五十年间，小米洛的故事不断被改编成电影、动画、戏剧、话剧、音乐剧和交响乐，在全世界的学校和剧院演出。根据本书改编拍摄的《幻象天堂》被评为“全球zui佳动画片”。
本书是美国国家教育委员会推荐少儿读物；美国国家青少年图书馆协会评选童书；美国国家公共广播电台推荐少儿必读经典；美国《学校图书馆杂志》推荐童书；《给孩子100本优异的书》推荐阅读。
Hailed as “a classic… humorous, full of warmth and real invention” (The New Yorker), this beloved story—first published more than fifty ago—introduces readers to Milo and his adventures in the Lands Beyond.
Features an appreciation by Maurice Sendak, award-winning author ofWhere the Wild Things Are!
Review:
“I read [The Phantom Tollbooth] first when I was ten. I still have the book report I wrote, which began ‘This is the best book ever.’” — The New York Times
“The Phantom Tollbooth is the closest thing we have to a modern Alice in Wonderland.” — The Guardian
“The book lingers long after turning the final page… A classic indeed.” — Los Angeles Review of Books
“You loved the humor and adventure… and [now] you’ll marvel at [the book’s] wit, complexity, and its understanding of how children perceive the passage of time.” — Entertainment Weekly
一个乏味至极的下午，觉得一切都了无生趣的男孩米洛，在自己的房间发现一个神奇的收费亭。他开着电动玩具车，驶过收费亭，踏上一趟不可思议的奇妙旅程……一路上，米洛曾身陷懒散国、误入结论岛，还在词语国锒铛入狱。但他在伙伴闹钟狗和骗人虫的帮助下，一次次转危为安，还邂逅了“哪个”婆婆、色彩大师、向下长的男孩、十二面体人、噪音医生等有趣的朋友。后来，米洛勇敢地前往无知山，去帮助词语国和数字国营救韵律公主和真理公主，但是每前进一步都有恶魔相阻。米洛从朋友们身上学到的东西能帮他战胜这些恶魔吗？
For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams…
诺顿·贾斯特（Norton Juster）美国知名儿童文学作家。出身于建筑世家，曾是大学建筑系教授，却作为儿童文学作家闻名于世。贾斯特创作了一系列深受儿童喜爱的作品，其中自己写作并绘制插图的《点与线》被拍成电影，获得过奥斯卡优异动画短片奖；与画家Chris Raschka合作的《神奇的窗子》，获得2006年凯迪克大奖。此外，诺顿·贾斯特还是一名专业美食家。
朱尔斯·费弗（Jules Feiffer）美国知名漫画家、小说家、剧作家。他的绘画风格独特，作品遍布世界各地的报刊杂志和画册，获奖无数。其中1961年创作的动画短片获奥斯卡奖，1986年获得普利策漫画奖，1995年获得美国艺术文学院奖，2004年获得美国漫画家协会的终身成就奖。
Norton Justeris an architect and the author of other highly acclaimed children’s books, includingThe Dot and the Line,The Hello,Goodbye Window, illustrated by Chris Raschka, which received the Caldecott Medal, and The Odious Ogre, also illustrated by Jules Feiffer.
Jules Feiffer is the author and illustrator of two novels for young readers, as well as several acclaimed picture books, including Bark, George and Meanwhile… He has won numerous prizes for his cartoons, plays, and screenplays.
AnAppreciation
1. Milo
2. Beyond Expectation
3. Welcome to Dictionopolis
4. Confusion in the Market Place
5. Short Shift
6. Faintly Macabre’s Story
7. The Royal Banquet
8. The Humbug Volunteers
9. It’s All in How You Look at Things
10. A Colorful Symphony
11. Dischord and Dynne
12. The Silent Valley
13. Unfortunate Conclusions
14. The Dodecahedron Leads the Way
15. This Way to Infinity
16. A very Dirty Bird
17. Unwelcoming Committee
18. Castle in the Air
19. The Return of Rhyme and Reason
20. Good-by and Hello
There was once a boy named Milo who didn’t know what to do with himself — not just sometimes, but always.
When he was in school he longed to be out, and when he was out he longed to be in. On the way he thought about coming home, and coming home he thought about going. Wherever he was he wished he were somewhere else, and when he got there he wondered why he’d bothered. Nothing really interested him — least of all the things that should have.
“It seems to me that almost everything is a waste of time,” he remarked one day as he walked dejectedly home from school. “I can’t see the point in learning to solve useless problems, or subtracting turnips from turnips, or knowing where Ethiopia is or how to spell February.” And, since no one bothered to explain otherwise, he regarded the process of seeking knowledge as the greatest waste of time of all.
As he and his unhappy thoughts hurried along (for while he was never anxious to be where he was going, he liked to get there as quickly as possible) it seemed a great wonder that the world, which was so large, could sometimes feel so small and empty.
“And worst of all,” he continued sadly, “there’s nothing for me to do, nowhere I’d care to go, and hardly anything worth seeing,” He punctuated this last thought with such a deep sigh that a house sparrow singing nearby stopped and rushed home to be with his family.
Without stopping or looking up, Milo dashed past the buildings and busy shops that lined the street and in a few minutes reached home — dashed through the lobby — hopped onto the elevator — two, three, four, five, six, seven, eight, and off again — opened the apartment door — rushed into his room — flopped dejectedly into a chair, and grumbled softly, “Another long afternoon.”
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