题 目：Donald Judd Furniture / 唐纳德·贾德家具

作 者：Judd Foundation

出 版：Mack ，2024

装 帧：精装，448页

尺 寸：22.9*15.2 cm

“椅子的艺术不在于其与艺术的相似性，而在于其作为椅子的合理性、实用性和尺寸比例。”

唐纳德·贾德的家具作品包括一百多件，创作时间跨越1970年至1991年，这些作品是为他在纽约斯普林街101号以及德克萨斯州普雷西迪奥县的生活和工作空间设计的。此书向读者介绍了唐纳德·贾德的家具设计，这些设计始于他对纽约斯普林街101号住宅和工作室的翻新，以及后来他在德克萨斯州马尔法为家中添置家具时遇到的困难。这些家具设计体现了他艺术作品中所赞誉的形式的直接性和存在感，同时也提供了一种独特而质朴的实用性。书中通过详细的图纸、材料分解以及彩色照片，展示了这些家具在这些空间中的布置和功能。除了概述他作品中的一个核心方面，唐纳德·贾德家具一书还详细阐述了贾德对功能性、形式的理解，以及他对在批量生产的世界中设计可能性的浓厚兴趣。

‘The art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness, and scale as a chair.’

Donald Judd Furniture includes more than one hundred pieces of his furniture, spanning 1970 to 1991, designed for his living and working spaces at 101 Spring Street and in Presidio County, Texas. The publication introduces readers to Donald Judd’s furniture designs, initiated during the renovation of his home and studio at 101 Spring Street in New York, and as the result of the difficulty Judd later had in furnishing his home in Marfa, Texas. These furniture designs exemplify the directness of form and presence for which his artworks are celebrated, as well as offering a distinct and unadorned functionality. In this book they are presented through detailed drawings and breakdowns of materials, and color photography exploring their placement and function within these spaces. As well as surveying a central aspect of his work, Donald Judd Furniture details Judd’s understanding of functionality, form, and his deep interest in the possibilities of design in a world of mass-production.