书名：Kunst im System. System in der Kunst / Art in the System. The System in Art / 系统中的艺术，艺术中的系统
定价：298.0
ISBN：9783959055420
作者：Karl-Heinz Adler
版次：1
出版时间：2021-08

内容提要：

题 目：Kunst im System. System in der Kunst / Art in the System. The System in Art / 系统中的艺术，艺术中的系统

作 者：Karl-Heinz Adler

出 版：Spector Books，2021

装 帧：平装，160页

语 种：英文，德文

尺 寸：23.7*33.5 cm

 

 

20世纪50年代末，卡尔-海因茨·阿德勒开启了艺术生涯的自我革新：他先是排列扇形层叠的相同几何元素，创作相互渗透的矩形构成的建构主义拼贴，又运用透明薄膜进行层压实验，随后更发展出大规模的"序列线性形态"。尽管他的艺术直接影响了新住宅区许多居民的日常生活，却未能在东德获得认可。1968年，他与艺术家同行弗里德里希·克拉赫特共同开发出"混凝土空心砖模块系统"——一套由12种基础模件组成的建筑构件，不久后投入生产，自此塑造了卫星城的建筑风貌。本书收录了汉斯·乌尔里希·奥布里斯特在艺术家九十寿辰之际进行的专访。相关展览曾于德累斯顿阿尔贝廷博物馆（2017年4月至6月）及布达佩斯卡萨克博物馆与基斯采利博物馆（均为2017年5月至8月）举办。

 

At the end of the 1950s Karl-Heinz Adler began to reinvent himself as an artist: he arranged fanned layerings of the same geometric elements, constructivist collages of interpenetrating rectangles, and laminations of transparent film, later followed by large-scale “serial linear forms”. His art was rejected in the GDR, even if it had a direct influence on the everyday life of many people in the new housing developments. In 1968, together with his artist colleague Friedrich Kracht, he had developed the “concrete/breeze block programme”, a construction kit of twelve basic modular forms that shortly afterwards went into production and from then on shaped the look of satellite towns. The book includes an interview conducted by Hans Ulrich Obrist on the occasion of the artist’s ninetieth birthday. Exhibitions at the Albertinum in Dresden (April – June 2017) and at the Kassák Museum and Kiscelli Museum in Budapest (both May–August 2017).