Brice Marden: Works on Paper / 布莱斯·马登:纸上作品
| 运费: | ¥ 8.00-30.00 |
商品详情
定价:360.0
ISBN:9781951449919
作者:Eileen Costello
版次:1
出版时间:2026-02
内容提要:
书名:Brice Marden: Works on Paper / 布莱斯·马登:纸上作品
作者:Eileen Costello
出版社:Gagosian / Rizzoli,2026年
装帧:精装,96页
语种:英文
尺寸:约 21.0*26.4 cm(8? x 10? 英寸)
ISBN:978-1-951449-91-9
简介
《Brice Marden: Works on Paper》是为巴黎高古轩画廊举办的同名展览而出版的图录,展出了这位已故画家罕见的纸上作品,并收录了艺术史学家Eileen Costello撰写的介绍性文字。本书是与布莱斯·马登遗产管理机构合作出版的,展出了艺术家最后二十年未曾公开的作品,由其女儿Mirabelle Marden和Melia Marden挑选,以此致敬马登与巴黎这座城市的长期渊源。所选作品表明,对于马登而言,素描与绘画同等重要,并揭示了他致力于将其用于抽象描绘地方的创作理念。1964年马登访问巴黎期间,曾用炭笔拓印所住房屋的瓷砖墙面,创作了网格单色作品,这种对周围环境的图像记录构成了重大的直觉飞跃。马登对独特手势标记的发展也体现出他对概念性编排的迷恋,他的纸上作品如同他的绘画一样,展示了光与色彩如何共舞。该出版物包含展览中三十余件作品的彩色复制品,以及艺术家在工作室的细节照片。书中还收录了艺术史学家Eileen Costello撰写的介绍性文章《直接表达形式》,追溯了素描在艺术家实践中的关键作用,探讨了其艺术兴趣与技法。
Brice Marden: Works on Paper accompanies an exhibition at Gagosian Paris of rarely seen drawings and prints by the late painter, and includes an introductory text by art historian Eileen Costello. This book was published on the occasion of the exhibition Brice Marden: Works on Paper at Gagosian, rue de Ponthieu, Paris. Organized in collaboration with the Estate of Brice Marden, it featured previously unseen work from the artist's final two decades, selected by his daughters Mirabelle Marden and Melia Marden, and paid tribute to Marden's long ties to the city. This selection of works shows that, for Marden, drawing was as valuable as painting, and reveals his commitment to employing it in the abstract depiction of place. During a visit to Paris in 1964, the artist produced gridded monochrome works using charcoal rubbings of the tiled walls in the home where he stayed, and this graphic documentation of his surroundings constituted a significant intuitive leap. Also evident in Marden's development of distinctive gestural marks is his fascination with conceptual choreography; his works on paper show—as do his paintings—how light and color can dance. The publication includes color reproductions of the more than thirty works in the exhibition as well as details and a photograph of the artist in his studio. It also features "A Direct Form of Expression," an introductory text by art historian Eileen Costello that traces the key role of drawing in the artist's practice, exploring what it reveals about his artistic interests and techniques.








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