书名：Glossary of Undisciplined Design / 非范式设计辞典
定价：199.0
ISBN：9783959054461
作者：Anja Kaiser, Rebecca Stephany
版次：1
出版时间：2021-05

内容提要：

题 目：Glossary of Undisciplined Design / 非范式设计辞典

作 者：Anja Kaiser, Rebecca Stephany

出 版：Spector Books，2024

装 帧：平装，312页

语 种：英文

尺 寸：11*17.5 cm

 

 

D代表替身女性，M代表怪物工具，S代表风格辩护，U代表不稳定符号——《非驯服设计术语汇编》以女性主义视角解构平面设计领域的教条规则、歧视性结构与单一化经典体系，探索"非学科性"的实践可能。全书以鲜明的碎片化结构与集体协作脉络为支撑，汇聚了密度各异的多元理论与叙事形式——从视觉散文、实践实验、访谈广告到诗歌、 speculative tale与学术论述。约20位国际设计师、行动者、教育者及理论家的55篇稿件，共同探索了角色范式、工具方法与异议表达。 

供稿者： 克拉拉·巴拉格尔、希拉·勒夫朗·德布雷特维尔、埃杰·詹勒、黑客与设计师小组、马库斯·德雷森、萨拉·卡曼、安雅·凯泽、李正明、文森特·希尔、丽贝卡·斯蒂芬妮、弗朗西斯卡·佐利奥姆、卡尔斯鲁厄国立设计学院学生等

《非驯服设计术语汇编》由设计师兼教育者安雅·凯泽与丽贝卡·斯蒂芬妮共同发起。凯泽活跃于女性主义语境与俱乐部文化场景，致力于开辟抵抗性空间；斯蒂芬妮的复调文化实践则融汇交叉性社会批判、非驯服研究工具与永不枯竭的图像渴望。

 

D for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs – the Glossary of Undisciplined Design looks into undisciplinarity as a feminist unpacking of the field of graphic design, of dogmatic rules, discriminatory structures and a particularly one-sided canon. Carried by a decidedly fragmentary and collective backbone, the GUD handbook combines a multitude of theories and narratives of varying densities – from visual essay, hands-on experiment, interview or advertorial, to poem, speculative tale and academic writing. With around 55 contributions by 20 international designers, activists, educators and theorists, the Glossary of Undisciplined Design explores role models, tools and dissent.

Contributions: Clara Balaguer, Sheila Levrant de Bretteville, Ece Canl?, Hackers & Designers, Markus Dre?en, Sara Kaaman, Anja Kaiser, Jungmyung Lee, Vincent Schier, Rebecca Stephany, Franciska Zólyom, Studierende der Staatlichen Hochschule für Gestaltung Karlsruhe, and others 

Glossary of Undisciplined Design is a joint initiative instigated by designer/educators Anja Kaiser and Rebecca Stephany. Kaiser is active in feminist contexts and in the club culture scene, where she seeks to carve out space for resistance. Stephany’s polyphonic cultural practice is fuelled by intersectional social critique, undisciplined research tools, and an unquenchable desire for imagery.