【在途】Early Netherlandish drawings 1400–1600 / 早期尼德兰素描,1400–1600年
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商品详情
定价:476.0
ISBN:9780714136516
作者:Olenka Horbatsch, Charlotte Wytema, Stijn Alsteens
版次:1
出版时间:2026-04
内容提要:
题 目:Early Netherlandish drawings, 1400–1600 / 早期尼德兰素描,1400–1600年
作 者:Olenka Horbatsch, Charlotte Wytema, Stijn Alsteens
出 版:The British Museum,2026
装 帧:精装,368页
语 种:英文
尺 寸:25.5*28.5*3.5 cm
这本插图精美的图册呈现了来自低地国家(即今天的卢森堡、比利时和荷兰)、时间跨度约为1400年至1600年的素描作品。它是大英博物馆集策展、文物保护和科学专业力量于一体的五年研究项目的巅峰成果。
在15至16世纪期间,低地国家是北欧的经济与艺术重镇。本书追溯了素描作为创造力与交流重要见证的发展历程与功能,深入探讨了艺术技法、风格及作坊实践。书中还解答了关于这些早期素描如何被制作、如何被当时的人使用与理解等关键问题。
本书依托大英博物馆杰出馆藏中的1200多幅素描,通过汇集精选的案例研究,为理解尼德兰素描提供了全新视角。亮点包括罗吉尔·凡·德尔·维登、卢卡斯·凡·莱登、老彼得·勃鲁盖尔和亨德里克·霍尔奇尼斯等艺术家的作品,同时也收录了较少为人知的艺术家的作品、佚名作品及作坊复制品,全面而丰富地展现了该地区的素描艺术。
This beautifully illustrated volume presents drawings from the Low Countries – present-day Luxembourg, Belgium and the Netherlands – dating from around 1400 to 1600. It is the culmination of a five-year research project combining curatorial, conservation and scientific expertise from the British Museum.
During the fifteenth and sixteenth centuries, the Low Countries were the economic and artistic powerhouse of northern Europe. This book traces the development and function of drawings as vital records of creativity and exchange, offering insight into artistic techniques, styles and workshop practice. It also addresses key questions about how these early drawings were made, used and understood by their contemporaries.
Drawing on more than 1,200 sheets from the British Museum’s outstanding collection, selected case studies are brought together to offer a new understanding of Netherlandish drawing. Highlights include works by Rogier van der Weyden, Lucas van Leyden, Pieter Bruegel and Hendrick Goltzius, alongside lesser-known artists, anonymous works and workshop copies, presenting a rich and comprehensive account of drawing in the region.
Forewords
Preface
Introduction (Olenka Horbatsch)
1. The Low Countries (Charlotte Wytema)
2. Drawings in the Netherlandish workshop (Olenka Horbatsch)
3. Netherlandish cities as centres of drawing (Yvonne Bleyerveld)
4. Materials, techniques and scientific analysis (Rebecca Snow, Samantha Taylor, Joanne Dyer and Emma Turner, with Olenka Horbatsch)
Catalogue of 180 works
(Flora Clark, Olenka Horbatsch, Charlotte Wytema, Ilja Veldman, Yvonne Bleyerveld, Edward Wouk, Stefaan Hautekeete, Susanne Bartels, Stijn Alsteens and Anne van Oosterwijk)
Selected reading
Acknowledgements
Credits
Index















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