如何读中国诗歌：导读集 How to Read Chinese Poetry: A Guided Anthology (How to Read Chinese Literature)

基本信息

Format:Paperback / softback 456 pages

Publisher:Columbia University Press

Imprint:Columbia University Press

ISBN:9780231139410

Published:28 Dec 2007

Weight:1184g

Dimensions:275 x 217 x 24 (mm)

页面参数仅供参考，具体以实物为准

书籍简介

在这本“指导”选集中，专家们带领学生了解从古代到现代的中国诗歌的主要流派和时代。 该卷按时间顺序分为 6 个部分，收录了 140 多篇好的诗、骚、赋、词、曲的例子。详细的介绍和广泛的主题目录突出了中国诗歌的主题、形式和韵律特征，每一章都由专门研究特定时期或流派的学者撰写。 诗歌以中文和英文呈现，并附有带声调的罗马化版本、对中文语言和诗歌惯例的解释以及安利的阅读策略。 这些诗歌的录音可在网上免费获取。 这些独特的特征促进了与中国诗歌文本的深入接触，并帮助读者从这些作品中获得如同从原作中获得的审美愉悦和洞察力。

姊妹篇《中国诗歌读法练习册》收录了汉、英、罗马拼音名诗100篇（新选56篇），并附有散文翻译、注释、评论和录音。

In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original.

The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings.

作者简介

蔡宗琪是伊利诺伊大学厄巴纳-香槟分校的中文、比较文学和中世纪研究教授。 着有《抒情变换的矩阵：中国早期五音节诗歌的诗歌模式与自我呈现》和《比较诗学的结构：中西文学批评的三个视角》。 编着《中国文心：文化、创意与修辞》、《文心地龙》等。 中国美学：六朝文学、艺术、宇宙的秩序； 以及如何阅读中国诗歌：指导选集。

Zong-qi Cai is professor of Chinese, comparative literature, and medieval studies at the University of Illinois, Urbana-Champaign. He is the author of The Matrix of Lyric Transformation: Poetic Modes and Self-Presentation in Early Chinese Pentasyllabic Poetry and Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary Criticism. He has also edited A Chinese Literary Mind: Culture, Creativity, and Rhetoric in Wenxin Dialong; Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties; and How to Read Chinese Poetry: A Guided Anthology.