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【现货】 Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间

238.00 限时折扣 原价:¥280.00
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【现货】 Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间 商品图0
【现货】 Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间 商品图1
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【现货】 Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间 商品缩略图0 【现货】 Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间 商品缩略图1 【现货】 Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间 商品缩略图2 【现货】 Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间 商品缩略图3 【现货】 Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间 商品缩略图4

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书名:Orientalism: Between Fact and Fantasy / 东方主义:事实与幻象之间
定价:280.0
ISBN:9781588398147
作者:Deniz Beyazit, Maryam Ekhtiar, Asher Miller
版次:1
出版时间:2026-05

内容提要:

书名:Orientalism: Between Fact and Fantasy / 东方主义:在事实与幻想之间
作者:Deniz Beyazit, Maryam Ekhtiar, Asher Ethan Miller(均为大都会艺术博物馆策展人)
出版:Metropolitan Museum of Art(Distributed by Yale University Press),2026年
装帧:平装,256页
语种:英文
尺寸:约 26.7 × 21.6 cm


本书以全新视角审视19世纪欧洲和奥斯曼艺术家如何通过诠释与效仿伊斯兰艺术来描绘和宣扬中东。殖民扩张、技术进步与艺术变革催化了全球市场,引发了以非洲北部和中东为主题的欧洲绘画浪潮,即“东方主义”。这一受伊斯兰文化启发的流派,其创作基于事实与想象的结合。本书讲述了安格尔、德拉克洛瓦、热罗姆等法国画家,以及奥斯曼政治家兼艺术家奥斯曼·哈姆迪·贝伊等人如何将伊斯兰图案融入作品,塑造了对世界的理解。书中探讨了种族差异、性别、权力关系与殖民态度等议题,并重新解读了热罗姆的《巴希-巴祖克》和安格尔的《大宫女》等名作。本书还揭示了东方主义对装饰艺术、建筑及收藏实践的广泛影响,激发了对伊斯兰艺术的推崇,并在欧美引发了持久的设革命。本书配合大都会艺术博物馆2026年同名展览出版,展期为2026年6月12日至2027年2月28日



A fresh look at the ways nineteenth-century European and Ottoman artists portrayed and promoted the Middle East through interpretations and emulations of Islamic art and design. Colonial and imperial expansion, technical advancement, and artistic transformation in the nineteenth century catalyzed the global marketplace and sparked a wave of European picture-making focused on North Africa and the Middle East. Known as Orientalism, the genre inspired by Islamic cultures relied equally on fact and fantasy to create iconic images both celebrated and interrogated today. This book tells a new, multifaceted story, taking into account how major figures ranging from the French painters Ingres, Delacroix, and Gér?me to the Ottoman statesman and artist Osman Hamdi Bey shaped an understanding of their world by incorporating Islamic motifs into their pictures. Addressing manifold questions about ethnic and racial difference, gender, power relations, and colonialist attitudes, the publication reinterprets beloved works of art such as Gér?me's Bashi-Bazouk and Ingres's La Grande Odalisque. Authors uncover that Orientalism was more than a genre of European easel painting by detailing its impact on decorative arts and architecture as well as collecting practices, which inspired a deep admiration for Islamic art and prompted a design revolution with an enduring legacy in Europe and the United States. Published by The Metropolitan Museum of Art/Distributed by Yale University Press. Exhibition Schedule: The Metropolitan Museum of Art, New York (June 12, 2026–February 28, 2027)































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