书名：Transmedial Landscapes and Modern Chinese Painting / 跨媒介山水与现代中国绘画
定价：328.0
ISBN：9780674267954
作者：Juliane Noth
版次：1
出版时间：2022-08

内容提要：
书名：Transmedial Landscapes and Modern Chinese Painting / 跨媒介景观与现代中国绘画
作者：Juliane Noth (尤丽安娜·诺特)
出版社：Harvard University Asia Center (哈佛大学亚洲中心)，2022年
装帧：平装，400页
语种：英文
尺寸：约 17.8*25.4 cm（7 x 10 英寸）

ISBN：978-0-6742-6795-4

简介
本书聚焦于二十世纪三十年代中期中国绘画的蓬勃创作与理论激辩时期。作者 Juliane Noth 通过研究黄宾虹、贺天健、俞剑华三位关键艺术家的作品，深入探讨了艺术创作与讨论如何与国家重塑紧密相连，进而创造出现代中国山水画的独特意象。本书提出“跨媒介实践”的概念，为理解这些艺术实验及中国艺术融入现代全球艺术世界提供了全新视角。

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world. Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications. In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.