预售 【中商原版】Vinson Collection Of Indonesian Textil 进口艺术 文森印尼纺织品收藏
运费: | ¥ 6.50-50.00 |
库存: | 1 件 |
商品详情
Vinson Collection Of Indonesian Textil
文森印尼纺织品收藏
✦产品信息——
出版社 : Ca Book Publishing (2023年 7月 26日)
语言 : 英语
精装 : 214页
ISBN-10 : 9887608912
ISBN-13 : 978-9887608912
商品重量 : 1.83 Kilograms
尺寸 : 24.99 x 3 x 33.12 cm
页面参数仅供参考,具体以实物为准
✦内容简介——
这里的纺织品按几大类分类,首先是类型,然后是产地、年代和风格。首先是来自印度的扎染布和印花布:用丝绸编织的扎染布被称为“双扎染布”,称为 patola,还有两种印花布是棉质印花布。虽然这些纺织品产自印度,但它们都是在苏门答腊发现的,patola 是用于仪式的珍贵传家宝,印花布在从苏门答腊到东部群岛的整个印度尼西亚贸易中广泛使用。接下来是按产地分类的扎染布和其他编织纺织品,从西到东,从苏门答腊到婆罗洲、苏拉威西、巴厘岛和帝汶。所有这些作品的材料都是手工纺织的或商用棉、丝绸,有时是两者的混合物。最后是蜡染布,主要来自爪哇。前三件是本藏品中古老的蜡染,每件都经过放射性碳测年分析,发现其起源分别在 17 世纪和 18 世纪。这些蜡染是用手工纺制的棉布制成的。这里的蜡染来自苏门答腊和爪哇(蜡染艺术的伟大母庙),年代不一,在上述原始蜡染之后,从 19 世纪初到 20 世纪中叶。它们的风格各异,从传统的风格,包括苏丹的 kratons(宫殿)中独特的颜色和图案,印花棉布和其他印度进口品的印度影响,到受中国启发的动物、昆虫、植物和花卉描绘,再到受法国启发的新艺术运动,主要是通过 Batik Belanda。这一系列印度尼西亚纺织品和一些在印度尼西亚的使用和设计中流行和有影响力的相关印度纺织品汇集在一起,这些纺织品是在近 40 年的一系列收藏时期汇集而成的。
The textiles here have been organized by several broad categories, beginning with type, and then by area of origin, dating and style. First are ikats and prints from India: the ikats woven in silk as “double ikats” and known as patola, and two prints that are cotton chintz. Though made in India, these textiles were all found in Sumatra, with the patola being highly-prized heirlooms used ceremonially, and the prints being used widely in trade across Indonesia from Sumatra to the Eastern Islands. Next are ikats and other woven textiles organized by origin, moving West to East, from Sumatra to Borneo, Sulawesi, Bali, and Timor. For all of these pieces, the material was hand spun or commercial cotton, silk, or sometimes a mixture of the two. Lastly are batiks, mostly from Java. The first three are the oldest batiks in this collection, each of which has been analyzed by radiocarbon dating and found to originate in the 17th and 18th centuries, respectively. These batiks are made on hand spun cotton. The batiks here are from Sumatra and Java (the great mother-temple of batik artistry), ranging in age, after the proto-batiks described above, from the early 19th century to mid-20th century. They vary in style from the most traditional, including those distinctive in color and pattern from the kratons (palaces) of the sultans, Indian influences from chintz and other Indian imports, to Chinese-inspired depictions of animals, insects, plants and flowers, to French-inspired Art Nouveau mostly via Batik Belanda. This collection of Indonesian textiles and some related Indian textiles that were popular and influential in Indonesian usage and design came together in a series of collecting periods spanning nearly 40 years.
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