【45】Issey Miyake

【45周年纪念版】三宅一生

出版商： TASCHEN

发布日期： 2026年2月1日

版本： 第45版

语言： 英语

印刷长度： 460页

ISBN-10： 3754402862

ISBN-13： 978-3754402863

物品重量： 2.28磅

尺寸： 6.14 x 1.22 x 8.54 英寸

页面参数仅供参考，具体以实物为准

1983年，日本设计师三宅一生在接受《纽约客》采访时表示，他渴望“勇往直前，打破常规”。随后，他以突破界限的时尚系列，不仅打破了传统，更彻底重塑了服装。他的作品巧妙融合了诗意与实用性，模糊了传统、现代科技与日常功能之间的界限。

这本权威的三宅一生服装史，涵盖了从1960年到2022年的作品，深入剖析了这位设计师的远见卓识和大胆创新。本书由北村绿发起并构思，从三宅一生职业生涯的早期，甚​​至在他创立三宅设计工作室之前，就着眼于他以质感为驱动的材料和工艺的独创性。北村以与三宅一生近五十年的合作为基础，通过“一块布”概念服装、八十年代的“人体系列”、三宅褶裥系列以及“褶裥请穿”等实用日常设计，为读者呈现了一部百科全书式的三宅一生材料

和技术创新指南。书中精美的照片捕捉了三宅一生服装独特的日常原创性。与此同时，文化界领军人物小池和子在其极具深度的文章中，不仅完整梳理了三宅一生的创作历程，更以前所未有的视角，深入剖析了三宅一生自少年时代起便秉持的雄心壮志和创作灵感。本书是设计师、学生和时尚爱好者的必备之作，也是对我们这个时代最具创新精神的设计师之一的永恒致敬。

In 1983, Japanese designer Issey Miyake told The New Yorker that he aspired “to forge ahead, to break the mold.” With the boundary-defying fashion lines that followed, he not only broke molds, but recast clothing altogether. With a unique fusion of poetry and practicality, his creations blur the boundaries between tradition, modern technology, and everyday function.

This definitive history of Miyake’s clothes from 1960 to 2022 offers expert insight into the designer’s vision and daring. Initiated and conceived by Midori Kitamura, the book looks at the texture-driven originality of Miyake’s materials and techniques from the very earliest days of his career, before he had even established the Miyake Design Studio. Drawing on nearly 50 years of collaborative work with Miyake, Kitamura creates an encyclopedic reference of his material and technical innovations through the clothes based on A Piece of Cloth concept, Body Series of the 1980s, Miyake Pleats series, and such practical, everyday designs as Pleats Please pieces.

Stunning photographs capture his clothes in their particular quotidian originality. In her far-reaching essay, meanwhile, leading cultural figure Kazuko Koike offers both a complete chronology of Miyake’s work, and an unprecedented personal profile, looking at the ambition and inspirations that have driven his repertoire from tender teenage years. A must-have for designers, students, and fashion devotees, this is a timeless tribute to one of the most innovative makers of our age.

著名服装设计师三宅一生（1938–2022）在东京多摩美术大学学习平面设计，之后于1970年创立了三宅设计工作室，该工作室成为他所有作品的创意基地。2007年，三宅一生在东京开设了设计工作室21_21 DESIGN SIGHT。

北村绿是三宅设计工作室和三宅一生基金会的主席，同时也是21_21 DESIGN SIGHT的总裁，她与三宅一生合作开发系列产品、展览、产品和出版物，包括与TASCHEN合作出版的《Pleats Please Issey Miyake》 。北村绿曾担任2011年“欧文·佩恩与三宅一生：视觉对话”展览的策展人。

Renowned clothing designer Issey Miyake (1938–2022) studied graphic design at Tama Art University, Tokyo, before founding the Miyake Design Studio in 1970, Miyake’s creative base for all his work. In 2007, Miyake opened the design facility 21_21 DESIGN SIGHT, also in Tokyo.

Midori Kitamura is chairman of the Miyake Design Studio and the Miyake Issey Foundation, and also president of 21_21 DESIGN SIGHT, working under Issey Miyake to develop collections, exhibitions, products, and publications, including Pleats Please Issey Miyake , also with TASCHEN. Kitamura directed the 2011 exhibition, Irving Penn and Issey Miyake: Visual Dialogue.