Goya: The Disasters of War

戈雅：战争的灾难

出版商 ‏ : ‎ La Fábrica

发布日期： 2025年10月28日

语言： 英语

印刷长度： 176页

ISBN-10： 8410024632

ISBN-13： 978-8410024632

物品重量： 1.95磅

尺寸： 12.6 x 0.67 x 9.45 英寸

页面参数仅供参考，具体以实物为准

本书以1863年的原版为基础，收录了戈雅的80幅蚀刻版画，通过其阴郁、残酷和毫不掩饰的画面，谴责了战争的后果。

在担任西班牙王室宫廷画家之后，弗朗西斯科·戈雅的艺术创作转向了更为阴郁的主题和更具表现力的风格，尤其是在半岛战争（1808-1814）期间。从他这一时期充满张力和直击人心的作品中，我们可以汲取许多信息，其中包括他名为《战争的灾难》的蚀刻版画系列。

戈雅不仅关注自身日益恶化的健康状况，也同样关注世界局势，他花费十年时间创作了名为《西班牙与波拿巴血腥战争的致命后果及其他强烈幻想》的作品。饥饿、疾病、劫掠、袭击、酷刑、处决——每一幅画都直面普通士兵和平民破碎的生活，并配以简短而含糊的标题，例如“Y no hay remedio”（“无药可医”）和“Yo lo vi”（“我所见”）。

这本精装书忠实地再现了戈雅80幅作品全集的首版，该版本于1863年出版，距戈雅逝世35年。本书采用精美的印刷工艺，纸张质感与原作版画极为相似，尺寸和版式也与原作相仿。战争至今仍是人类生存的常态；戈雅的版画因其对所有参战方（无论其国籍）所犯暴行的强烈谴责而永垂不朽。

Based on the original 1863 edition, this presentation of Goya's 80 etchings decries the consequences of war through his bleak, gruesome and unflinching imagery

Following his tenure as court painter for the Spanish royal family, Francisco de Goya's art took on darker subjects and a more expressive style, especially during the Peninsular War (1808–14). Much can be gleaned from the fraught and visceral work of this period, including his series of etchings known as The Disasters of War.

Concerned about the state of the world as much as his own failing health, Goya spent 10 years on what he personally titled Fatal Consequences of Spain's Bloody War with Bonaparte, and Other Emphatic Caprices. Starvation, sickness, looting, assault, torture, execution―each image confronts the shattered lives of everyday soldiers and civilians, accompanied by brief, ambiguous captions such as "Y no hay remedio" ("And there is no remedy") and "Yo lo vi" ("This I saw").

This clothbound book faithfully reproduces the first edition of the complete set of 80 works which was published in 1863, 35 years after Goya's death. It features exquisite printing quality on paper that closely resembles the texture of the original engravings, in a similar format and scale. War is still a condition of human existence today; Goya's etchings are timeless for their vehement denunciation of its atrocities committed by all combatants, regardless of their national affiliations.

弗朗西斯科·德·戈雅（1746-1828）出生于西班牙富恩特托多斯，在萨拉戈萨接受艺术训练，后移居马德里。1789年，他被查理四世任命为宫廷画家。戈雅被誉为“最后一位古典大师和第一位现代大师”，他的艺术融合了浪漫主义元素，并带有深刻的个人视角和对社会的批判精神。

Born in Fuendetodos, Spain, Francisco de Goya (1746–1828) trained in Zaragoza and later moved to Madrid. In 1789 he was appointed as a court painter by Charles IV. Considered "the last of the Old Masters and the first of the moderns," his art blended elements of Romanticism with a deeply personal and often critical vision of society.