【中商原版】Lygia Pape - Tecelares 进口艺术 利吉亚·帕佩:编织者 Yale
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商品详情
Lygia Pape - Tecelares
利吉亚·帕佩:编织者
出版社 : Art Institute of Chicago (2023年3月28日)
语言 : 英语
精装 : 176页
ISBN-10 : 0300269730
ISBN-13 : 978-0300269734
商品重量 : 1.09 kilograms
尺寸 : 23.19 x 2.39 x 26.8 cm
页面信息仅供参考,具体以实物为准
内容简介
对巴西当代艺术家Lygia Pape早期的木版画作品进行了引人入胜的研究,这些作品深刻地影响了她的创作轨迹。
作为巴西知名的当代艺术家之一,Lygia Pape(1927-2004)与Lygia Clark和Hélio Oiticica等艺术家一起,是50年代末新混凝土运动的创始成员。帕普在绘画、表演、版画和雕塑方面探索了新的视觉语言,她的作品--大部分以几何学为基础--邀请观众参与到她的艺术的存在感、感觉和心理体验中。
本书对佩普在1952年至1960年期间创作的实验性木版画进行了深入处理,研究了这些作品在佩普职业生涯的其余部分所发挥的基础性作用,预示了她的 "磁化空间 "哲学。帕普的版画由重叠的几何和线性元素组成,有时暗示着原子粒子或显微镜标本的幻灯片,她使用令人难以置信的薄而半透明的日本纸,显示出非凡的深度。艺术家在这些作品创作数十年后将其命名为Tecelares。松散地翻译为 "编织品",这个术语抓住了帕普独特的手工制作方法。本研究报告图文并茂,充满了对艺术家的版画美学、材料和工艺如何体现她对艺术的核心理念的深刻见解。
为芝加哥艺术学院发行
An engaging investigation of contemporary Brazilian artist Lygia Pape’s early body of woodblock prints, which profoundly influenced the trajectory of her oeuvre
One of Brazil’s best-known contemporary artists, Lygia Pape (1927–2004) was a founding member of the Neo-Concrete movement in the late 1950s along with artists such as Lygia Clark and Hélio Oiticica. Pape explored new visual languages in painting, performance, printmaking, and sculpture, and her work—much of it based in geometry—invited viewers to participate in the existential, sensorial, and psychological experience of her art.
Presenting the first in-depth treatment of the experimental woodblock prints Pape made between 1952 and 1960, this volume examines the foundational role these works played in the rest of Pape’s career, foreshadowing her philosophy of “magnetized space.” Composed of overlapping geometric and linear elements that at times suggest atomic particles or slides of microscopic specimens, Pape’s prints display an extraordinary depth accentuated by her use of incredibly thin, translucent Japanese papers. The artist applied the title Tecelares to these works decades after their creation. Loosely translated as “weavings,” the term captures Pape’s uniquely handmade approach to printmaking. Lavishly illustrated, this study is filled with revealing insights into how the artist’s printmaking aesthetic, materials, and process embody her core ideas about art.
Distributed for the Art Institute of Chicago
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