Impressionists on Paper

纸上的印象派画家：德加到图卢兹·劳特累克

✦产品信息——

ISBN: 9781912520978

ISBN-10: 1912520974

受众 一般读者

格式： 精装

语言： 英语

页数：152

出版日期：2023 年11月13日

出版商 古董收藏家机构

出版国家：英国 英国

尺寸（厘米） 26.0x24.0x1.78

重量（千克）： 0.93

页面参数仅供参考，具体以实物为准

✦内容简介——

印象派和后印象派创新者的纸上变革作品

德加、塞尚、雷诺阿、图卢兹-劳特累克、梵高和他们同时代的画家们以其精湛的布面油画闻名于世，但他们也经常使用纸张作为作品的基底。他们尝试使用的材料包括水彩、水粉、铅笔、墨水和色彩柔和的粉彩。印象派画家和后印象派画家经常发现，在纸上创作能更好地表达他们想要捕捉的起伏不定的环境。他们的创作实践改变了这些作品的地位，使其从留在工作室的预备研究变成了艺术作品。事实上，在 1874 至 1886 年间举办的所有八次印象派经典展览中，版画和素描都与油画并列展出。在一次展览中，德加只展出了纸上粉彩。

在伦敦皇家艺术学院展出的这套华美的纸上作品集收录了约 70 幅作品，其中既有乔治-修拉（George Seurat）为《阿斯尼河畔的浴女》（The Bathers at Asni res，1883 年）所画的青年形象等杰作绘制的草图，也有梵高（Van Gogh）的《海牙当铺入口》（Entrance to the Pawn Bank, The Hague，1882 年）等无名画作对应的场景。由皇家学院策展人和 19 世纪欧洲艺术专家撰写的富有洞察力的文章探讨了三个主题：通过印象派画家的纸上作品看他们的艺术发展；素描在艺术教育中的作用；艺术家材料的商业创新使纸成为更受欢迎的选择。目录按时间顺序排列，从 19 世纪 60 年代到 20 世纪，描绘了技术和主题的飞速发展。印象派和后印象派的大胆创新挑战了传统观念，从根本上改变了艺术的未来方向，最终为后来的抽象表现主义等运动铺平了道路。

Transformative works on paper by Impressionist and Post-Impressionist innovators

Best known for their superlative oils on canvas, Degas, C zanne, Renoir, Toulouse-Lautrec, Van Gogh and their contemporaries also regularly used paper as a base for their works. They experimented with materials including watercolor, gouache, pencil, ink and the temperamental pastel. The Impressionists and Post-Impressionists often found working on paper to be a better conveyance of the fluctuating surroundings they sought to capture. Their practices transformed the status of these works from preparatory studies left in the studio to works of art in their own right. Indeed, prints and drawings were hung alongside oil paintings in all eight canonical Impressionist exhibitions held between 1874 and 1886. At the last of these, Degas exclusively exhibited pastels on paper.

This sumptuous collection of some 70 works on paper, exhibited at the Royal Academy of Arts, London, includes sketches for well-known masterpieces such as George Seurat's figure of a youth for The Bathers at Asni res (1883) to scenes with no known painted counterpart such as Van Gogh's Entrance to the Pawn Bank, The Hague (1882). Insightful texts by Royal Academy curators and experts in 19th-century European art explore three topics: the artistic development of the Impressionists through their works on paper; the role of drawing in arts education; and commercial innovations to artist's materials that made paper a more popular option. The catalog is arranged chronologically from the 1860s to the 1900s, charting the rapid progress of techniques and subject matter. The bold innovations of the Impressionists and Post-Impressionists challenged traditional attitudes and radically transformed the future direction of art, ultimately paving the way for later movements such as Abstract Expressionism.