【中商原版】Cubism and the Trompe l'Oeil Tradition 进口艺术 立体主义和Trompe l'Oeil传统 Yale
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Cubism and the Trompe l'Oeil Tradition
立体主义和Trompe l'Oeil传统
●产品信息——
出版社:Yale University Press (2022年11月1日)
语言:英语
精装:288页
ISBN-10:1588396762
ISBN-13:9781588396761
尺寸及商品重量:241 x 267 x 45.72mm | 1,723.65g
(页面信息仅供参考,具体以实物为准)
●内容简介——
对毕加索、布拉克和格里斯如何在其具有影响力的立体主义作品中参与幻觉和欺骗的绘画传统进行了开拓性研究
被称为 "欺骗眼睛 "的绘画幻觉主义的古老传统,采用了视觉技巧,混淆了观众对现实和虚构、真实和虚假的认识。这本关于立体主义的全新作品展示了巴勃罗-毕加索、乔治-布拉克和胡安-格里斯是如何用智慧和发明来模仿和致敬经典的变形金刚主题和图案的。一百多幅插图作品将立体派绘画、素描和拼贴画与老一辈大师的相关作品并列在一起。基于新的研究的文章探讨了立体派和早期几个世纪的着色专家之间的联系,以及他们的创造性竞争游戏。这些内容丰富且引人入胜的文章追溯了几个世纪以来,叠层画的地位变化,揭示了布拉克在叠层画技术方面的训练是其立体主义实践的一个组成部分,研究了格里斯拼贴画中使用的材料,并讨论了立体主义静物画中以前未研究过的叠层画图示--包括报纸、文字双关、画中画、仿木纹和贸易工具。
都会艺术博物馆出版/耶鲁大学出版社发行
A pioneering study of how Picasso, Braque, and Gris engaged with the pictorial tradition of illusion and deception in their influential Cubist works
The age-old tradition of pictorial illusionism, known as trompe l’oeil (“deceive the eye”), employs visual tricks that confound the viewer’s perception of reality and fiction, truth and falsehood. This radically new take on Cubism shows how Pablo Picasso, Georges Braque, and Juan Gris both parodied and paid homage to classic trompe l’oeil themes and motifs with wit and invention. More than one hundred illustrated works juxtapose Cubist paintings, drawings, and collages with related compositions by the old masters. Essays based on new research explore connections between the Cubists and the trompe l’oeil specialists of earlier centuries and their games of creative one-upmanship. The informed and engaging texts trace the changing status of trompe l’oeil over the centuries, reveal Braque’s training in artisanal trompe l’oeil techniques as an integral part of his Cubist practice, examine the materials used in Gris’s collages, and discuss the previously unstudied trompe l’oeil iconography within Cubist still lifes—including newspapers, word puns, pictures-within-pictures, imitation wood grain, and tools of the trade.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
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