书名：After Impressionism: Inventing Modern Art / 印象派之后：现代艺术的诞生
定价：358.0
ISBN：9781857096958
作者：MaryAnne Stevens
版次：1
出版时间：2023-04

内容提要：

题 目：After Impressionism: Inventing Modern Art / 印象派之后：现代艺术的诞生

作 者：MaryAnne Stevens

出 版：National Gallery London ，2023

装 帧：精装，272页

尺 寸：24.7*28.7 cm

 

 

19世纪80年代，西方艺术中的表现、意义和过程的本质受到了深刻的审视。对外部世界的逼真表现被摒弃，取而代之的是不同程度的非自然主义，从对现实的适度扭曲到纯粹的抽象。

 

接下来的几十年，直至1914年第一次世界大战爆发，是一个复杂而充满活力的艺术探索、寻觅、冒险和创新的时期。本书聚焦于这一动荡不安的伟大时期，将探讨绘画与雕塑之间的建设性对话，以及保罗·塞尚、保罗·高更和文森特·梵高这三位时代巨匠在整个欧洲艺术中所扮演的重要角色。在承认巴黎作为文化之都的核心地位的同时，本书还将独特地突显欧洲其他艺术中心，从布鲁塞尔和巴塞罗那到柏林和维也纳，并追踪20世纪初通往现代主义的多种路径。

 

Through the 1880s the very essence of representation, meaning and process in Western art were profoundly interrogated. Plausible representations of the external world were cast aside in favour of non-naturalism expressed in varying degrees, from modest distortions of reality to pure abstraction.

 

The decades that followed, up to the outbreak of the First World War in 1914, were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation. Concentrating on this period of great upheaval, this book will explore the constructive dialogue between painting and sculpture, and the influential roles played by three giants of the era, Paul Cézanne, Paul Gauguin and Vincent van Gogh, across European art as a whole. While acknowledging the centrality of Paris as a cultural capital, it will also uniquely highlight other centres of artistic ferment in Europe, from Brussels and Barcelona to Berlin and Vienna, and track the variety of routes into modernism in the early twentieth century.

 

This fully illustrated catalogue will contain four essays, introductions to each city of ferment and biographies of the artists.

 

Published by National Gallery Global/Distributed by Yale University Press

 

Exhibition Schedule:

The National Gallery, London 25 March–13 August 2023