Norton Critical Editions: Heart of Darkness

基本信息

Edited by:Paul B. Armstrong

Series:Norton Critical Editions

Format:Paperback / softback 504 pages

Publisher:WW Norton & Co

Imprint:WW Norton & Co

Edition:Fifth Edition

ISBN:9780393264869

Published:3 Jan 2016

Classifications:Classic fiction (pre c 1945)

Readership:Tertiary Education (US: College)

Weight:486g

Dimensions:132 x 214 x 28 (mm)

页面参数仅供参考，具体以实物为准

书籍简介

这个版本包括一个新编辑的基础上1902版。文本的历史和编辑原则提供了对围绕黑暗之心的争议和歧义的概述。包括背景和源材料，当代对中篇小说的回应和评论文章，包括一个关于电影改编的新部分。

“This is the best Norton Critical Edition yet! All my students are becoming intensely interested in reading Conrad—largely because of this excellent work.”—Elise F. Knapp, Western Connecticut State University

This edition includes a newly edited text based on the 1902 edition. Textual History and Editing Principles provides an overview of the controversies and ambiguities surrounding Heart of Darkness. Included are background and source materials, and contemporary responses to the novella along with essays in criticism, including a new section on film adaptations.

作者简介

保罗·b·阿姆斯特朗是布朗大学英语教授和学院前院长。他曾是俄勒冈大学和纽约州立大学石溪分校的教授和院长。他还在哥本哈根大学、乔治亚理工学院、柏林自由大学、弗吉尼亚大学和视觉艺术博士研究所任教。他是《文学如何玩弄大脑:阅读和艺术的神经科学》的作者;游戏与阅读的政治:现代主义形式的社会运用矛盾解读:解释的多样性和有效性;困惑的挑战:对詹姆斯、康拉德和福特的理解与表现以及亨利·詹姆斯的现象学。他是e·m·福斯特的《霍华德庄园》诺顿评论版的编辑，也是《黑暗之心》第四和第五诺顿评论版的编辑。

Paul B. Armstrong is Professor of English and former Dean of the College at Brown University. He was previously a professor and a dean at the University of Oregon and the State University of New York at Stony Brook. He has also taught at the University of Copenhagen, Georgia Institute of Technology, the Free University of Berlin, the University of Virginia, and the Institute for Doctoral Studies in the Visual Arts. He is the author of How Literature Plays with the Brain: The Neuroscience of Reading and Art; Play and the Politics of Reading: The Social Uses of Modernist Form; Conflicting Readings: Variety and Validity in Interpretation; The Challenge of Bewilderment: Understanding and Representation in James, Conrad, and Ford; and The Phenomenology of Henry James. He is editor of the Norton Critical Edition of E. M. Forster's Howards End and of the fourth and fifth Norton Critical Editions of Heart of Darkness.