Max Beckmann

马克斯·贝克曼 艺术大师系列

✦产品信息——

出版社 ‏ : ‎ Hirmer Publishers (2024年 2月 27日)

语言 ‏ : ‎ 英语

精装 ‏ : ‎ 80页

ISBN-10 ‏ : ‎ 3777442828

ISBN-13 ‏ : ‎ 978-3777442822

商品重量 ‏ : ‎ 1.05 Kilograms

尺寸 ‏ : ‎ 14 x 1.27 x 20.5 cm

页面参数仅供参考，具体以实物为准

✦内容简介——

马克斯·贝克曼(1884-1950)，杰出的表现主义画家，被认为是二十世纪重要的艺术家。他的作品充斥着人物和色彩，充满了高度象征性的信息。它们批判了贝克曼所处的时代，见证了他与存在问题的斗争和对真理的不懈追求。

马克斯·贝克曼是现代迷人的画家，他不仅在他众多的作品中，而且在他大量的信件和日记中，比几乎任何其他人都更能反映出他那个时代的社会动荡。他是一个观察者，一个绅士，一个孤独者，一个反思他的年龄的见证者。他永远在寻找真理，是他所生活的时代的自我批判的见证者。特别是在他富有表现力的自画像中，我们相信我们可以更接近贝克曼的多面性，从而更好地理解他多面性作品中广泛的隐喻。这本书由贝克曼的专家，克里斯蒂安·泽勒博士，追溯了他的艺术生涯和他生活的主要站点，从柏林和法兰克福到他流亡阿姆斯特丹和美国。独特的马克斯·贝克曼档案，其广泛的遗产，目前位于慕尼黑的Bayerische Staatsgemaldesammlungen。以前未发表的材料将在出版物中展出，包括私人照片和艺术家个人财产中的物品。

Max Beckmann (1884–1950), the outstanding Expressionist painter, is regarded as one of the most important artists of the twentieth century. His works, jostling with figures and full of colour, are packed with highly symbolic messages. They are critical of the times in which he lived and bear witness to Beckmann’s struggle with existential questions and his constant search for truth.

Max Beckmann is one of the most fascinating painters of the modern age, who more than almost any other reflected the social upheavals of his time, not only in his numerous works but also and not least through his extensive correspondence and diaries. He was an observer, a gentleman, a loner and a reflective witness of his age. Perpetually searching for truth, he was a self-critical witness of the times in which he lived. It is especially in his expressive self-portraits that we believe we can get closer to Beckmann’s multi-faceted nature and hence become better able to understand the wide range of metaphors in his multi-faceted oeuvre. This volume by one of the most illustrious Beckmann specialists, Dr. Christiane Zeiller, traces his artistic career and the principal stations of his life, from the years in Berlin and Frankfurt via his exile in Amsterdam und America. The unique Max Beckmann Archives, with its wide-ranging legacy, are currently housed in the Bayerische Staatsgemaldesammlungen in Munich. Material which has not previously been published will be shown in the publication, including private photos and objects from amongst the artist’s personal possessions.