书名：Paris 1874: The Impressionist Moment / 巴黎 1874：印象派时刻
定价：468.0
ISBN：9780300278484
作者：Sylvie Patry
版次：1
出版时间：2024-04

内容提要：

题 目：Paris 1874: The Impressionist Moment / 巴黎 1874：印象派时刻

作 者：Sylvie Patry

出 版：Yale University Press ，2024

装 帧：精装，288页

尺 寸：21.5*31.7 cm

 

 

这是一次围绕1874年巴黎具有里程碑意义的展览，对印象派诞生进行的广泛探索。

 

本书通过揭示1874年那场被视为法国艺术运动诞生的激进展览的背景，带你发现印象派的起源。书中不仅收录了塞尚、德加、莫奈、莫里索、毕沙罗、雷诺阿和西斯莱等大师的作品，还涵盖了许多其他鲜为人知的参与者以及当年在官方沙龙展出作品的艺术家。本书探讨了当时艺术家们如何回应这一历史独特时刻中不断变化的社会和政治潮流，以及这些艺术家在其新艺术手法中所反抗的规范。这是一次具有里程碑意义的艺术作品重聚，包括绘画、纸本作品、版画和雕塑，这些作品使得150年前由“无名画家协会”举办的展览成为了一场具有国际意义和持久影响力的盛事。

 

《巴黎1874》基于新的学术研究，为印象派提供了一种多学科的研究方法。它探讨了当代媒体所扮演的重要角色，并将该运动与法普战争的毁灭以及巴黎公社事件联系起来，以及随后的重建过程。最重要的是，本书通过重新审视印象派在更广阔艺术领域中的地位，特别是与沙龙的关系——沙龙展出的作品与“无名画家协会”展览中的作品惊人地相似，从而挑战了关于印象派起源的既定叙事。本书以引人入胜的设计，运用了来自档案材料的图案来暗示19世纪70年代巴黎出版物的风格，是我们理解印象派诞生以及它为何被视为西方艺术史上关键时刻的一本美观且引人入胜的佳作。

 

A wide-ranging exploration of the birth of impressionism centered around the landmark exhibition in Paris in 1874

 

Discover the origins of impressionism in this revelatory look at the context for the radical 1874 exhibition that is considered the birth of the French art movement. Featuring works by not only Cézanne, Degas, Monet, Morisot, Pissarro, Renoir, and Sisley, but also many other lesser-known participants and those who exhibited at the official Salon that year, this book explores how artists of the time responded to the shifting social and political currents during this singular moment in history, as well as the norms that these artists rebelled against in their new approach to art. This is a milestone reunion of many of the show’s artworks, which include paintings, works on paper, prints, and sculptures, that made the exhibition held by the société anonyme 150 years ago an event of international and lasting significance.

 

Paris 1874 draws on new scholarship to offer a multidisciplinary approach to impressionism. It explores the important role played by the contemporary press and also contextualizes the movement in relation to the devastation of the Franco-Prussian War and the Commune, as well as the subsequent process of reconstruction. Above all, it challenges established narratives surrounding the origins of impressionism itself by reexamining its position within the larger artistic landscape, particularly in relation to the Salon—which exhibited works strikingly similar to those included in société anonyme’s exhibition. With an engaging design that uses motifs from archival materials to suggest the look of Parisian publications of the 1870s, this book is a handsome and compelling addition to our understanding of the dawn of impressionism and why it is considered a pivotal moment in the history of Western art.

 

Distributed for the National Gallery of Art, Washington

 

Exhibition Schedule:

 

Musée d’Orsay, Paris

(March 25–July 14, 2024)

 

National Gallery of Art, Washington, DC

(September 8, 2024–January 19, 2025)