基本信息

    出版社: Penguin Classics; 第1版
    外文书名: 恶心
    丛书名: Penguin Modern Classics
    平装: 272页
    语种： 英语
    开本: 32开
    ISBN: 014118549X
    条形码: 9780141185491
    商品尺寸: 12.9 x 1.6 x 19.8 cm
    商品重量: 204 g
    品牌: PENGUIN
    ASIN: 014118549X

商品描述
Review
It is the most enjoyable book Sartre has ever written. -- A.J. Liebling, The New Yorker

The best-written and most interesting of Sartre's novels. -- Atlantic Monthly

With Nausea Sartre has succeeded magnificently—and horribly—in extending the realm of the novel to the outermost reaches of naked self-examination. -- Harvey Swados, New York Post

作者简介
Jean-Paul Sartre (1905-1980) is the author of Intimacy (1939), The Flies (1943), No Exit (1943), and the monumental treatise Being and Nothingness (1943). Richard Howard is the author of thirteen volumes of poetry (including Inner Voices: Selected Poems, 1963-2003). He has published more than 150 translations from the French including Baudelaire's Le Fleurs du Mal, for which he received the 1983 American Book Award for translation.

图书描述
Winner of the 1964 Nobel Prize in Literature. Jean-Paul Sartre, philosopher, critic, novelist and dramatist, hold a position of singular eminence in the world of French letters. Among readers and critics familiar with the whole of Sartre's work, it is generally recognized that his earliest novel, Le Nausée (first published in 1938), is his finest and most significant. It is unquestionably a key novel of the Twentieth Century and a landmark in Existentialist fiction.
Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation about the world and people around him. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spread at the bottom of the viscous puddle, at the bottom of our time—the time of purple suspenders and broken chair seats; it is made
of wide, soft instants, spreading at the edge, like an oil stain." Roquentin's efforts to come to terms with his life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize trhe tents of his Existentialist creed.