ISBN：9780300174502  

书名/Title：那不勒斯的巴洛克与绘画行业：工作台中的世界｜Baroque Naples and the Industry of Painting: The World in the Workbench

作者/Author：克里斯托弗·R·马歇尔｜Christopher R. Marshall

出版/Publisher：Yale University Press，2016

装帧/Binding：精装，352页｜Hardback, 352 pages

尺寸/Dimensions：28.4 × 22.4 × 2.8 cm

语种/Language：英语｜English

内容提要：

那不勒斯是17世纪欧洲的第二大城市，也是地中海的重要港口，它的重要性使得西班牙哈布斯堡王朝、神职人员、那不勒斯贵族、当地商人和其他日益壮大的新兴阶层在这里争夺空间和声望。由于他们相互竞争投资建筑项目并赞助艺术项目，带来了艺术市场的繁荣。不仅促进了胡塞佩·德·里贝拉（Jusepe de Ribera）、马西莫·斯坦茨奥内（Massimo Stanzione）、萨尔瓦多·罗萨（Salvator Rosa）和卢卡·吉奥达诺（Luca Giordano）等本国画家的发展，还帮助了卡拉瓦乔（Caravaggio）、多美尼基诺（Domenichino）、阿特米谢·简特内斯基（Artemisia Gentileschi）和乔瓦尼·兰弗朗科（Giovanni Lanfranco）等外国艺术家取得了非凡的成就。

这是一本关于17世纪意大利巴洛克艺术的美术史著作。该书探索了关于绘画的社会、材料和经济的历史，揭示了艺术家、经纪人和艺术品所有者如何相互影响、相互作用，从而形成一个复杂且相互支持的艺术世界。作者克里斯托弗·R·马歇尔（Christopher R. Marshall）通过艺术竞争、煽动反外国劳工、艺术交易和伪造、文化外交，以及独立策划艺术展览的兴起等主题，阐明了意大利巴洛克时期艺术活动与艺术赞助、商业角度的考虑因素与创业精神这些主题之间的联系。

The second largest city in 17th-century Europe, Naples constituted a vital Mediterranean center in which the Spanish Habsburgs, the clergy, and Neapolitan aristocracy, together with the resident merchants, and other members of the growing professional classes jostled for space and prestige. Their competing programs of building and patronage created a booming art market and spurred painters such as Jusepe de Ribera, Massimo Stanzione, Salvator Rosa, and Luca Giordano as well as foreign artists such as Caravaggio, Domenichino, Artemisia Gentileschi, and Giovanni Lanfranco to extraordinary heights of achievement.

This reading of 17th-century Italian Baroque art explores the social, material, and economic history of painting, revealing how artists, agents, and the owners of artworks interacted to form a complex and mutually sustaining art world. Through such topics as artistic rivalry and anti-foreign labor agitation, art dealing and forgery, cultural diplomacy, and the rise of the independently arranged art exhibition, Christopher R. Marshall illuminates the rich interconnections between artistic practice and patronage, business considerations, and the spirit of entrepreneurialism in Baroque Italy.