题 目：Turner's Last Sketchbook / 特纳的最后一本素描本

作 者：J. M. W. Turner

出 版：Yale Center for British Art ，2024

装 帧：精装，208页

尺 寸：19.1*11.9 cm

一本精美制作的J. M. W. 特纳最后已知完整素描册的复制版

J. M. W. 特纳（1775-1851）鲜少出门不带素描册。在他的一生中，他填满了三百多本，其中大多数小巧到可以装进他的口袋里。这本复制版代表的是特纳最后一本已知完整的素描册，现藏于耶鲁英国艺术中心。特纳于1845年6月至9月期间，在肯特的英吉利海峡沿岸，以及马盖特及其周边地区使用过这本素描册。

此书还附有一首诗，诗中特蕾西·艾敏（生于1963年）表达了她与特纳作品的深刻联系。艾敏在马盖特这个海滨小镇长大，而特纳也一次次地回到这里进行素描。

这本特纳素描册的呈现方式留有充裕的边距和空白页，以鼓励读者效仿这位艺术家的精神，继续创作素描。

A beautifully produced facsimile of the last known intact sketchbook by J. M. W. Turner

J. M. W. Turner (1775–1851) seldom left home without a sketchbook. Over the course of his lifetime, he filled more than three hundred, most of them small enough to carry in his pocket. This facsimile represents Turner’s last known intact sketchbook, now in the collection of the Yale Center for British Art. Turner used it on the coast of the English Channel in Kent, in and around Margate, from June to September 1845.

The volume is accompanied by a poem in which Tracey Emin (b. 1963) expresses her profound connection with Turner’s work. Emin grew up in Margate, the seaside town that Turner returned to time and again to draw.

This presentation of Turner’s sketchbook includes generous margins and blank pages to encourage further sketches, in the spirit of the artist.

Distributed for the Yale Center for British Art