Hew Locke: Passages

英国雕塑家休·洛克：段落

出版商 : YC British Art

出版日期 : 2025 年 9 月 30 日

语言 : 英语

印刷长度 : 304 页

ISBN-10 : ‎ 0300284683

ISBN-13 : ‎ 978-0300284683

商品重量 : 1.74 磅

页面参数仅供参考，具体以实物为准

深入探寻这位以其对殖民和后殖民权力的多媒体探索而闻名的艺术家的创新生涯。

过去三十年来，圭亚那裔英国艺术家休·洛克（生于1959年）运用挪用策略揭示并颠覆了帝国主义的视觉代码。洛克的作品融合了雕塑、摄影、绘画和现成物，被誉为“后殖民巴洛克”，解构并重新构想了根深蒂固的英国主权图像。这本图文并茂的画册展示了洛克的艺术实践，汇集了风格迥异的作品，审视了帝国的视觉语言以及殖民主义在当今全球市场资本主义、移民和侨民等问题上留下的遗产。来自当代艺术领域的策展人、评论家和学者的文章将洛克的作品置于殖民和后殖民历史与理论的语境中，揭示他如何运用非传统材料——包括纸板、织物、珠子、亮片和现成玩具——来反思他的圭亚那裔英国文化遗产，并思考艺术家如何通过密集、富有质感和多层次的作品融合本土和正式传统。

An in-depth look at the innovative career of an artist renowned for his multimedia explorations of colonial and postcolonial power

For the past thirty years, Guyanese British artist Hew Locke (b. 1959) has used strategies of appropriation to reveal and upend the visual codes of imperialism. Incorporating sculpture, photography, drawing, and found objects, Locke’s oeuvre has been described as a “postcolonial baroque” that deconstructs and reimagines deeply entrenched iconographies of British sovereignty. This richly illustrated catalogue showcases the full spectrum of Locke’s practice, bringing together distinct bodies of work that scrutinize the visual language of empire and colonialism’s present-day legacies of global market capitalism, migration, and diaspora. Essays from leading curators, critics, and scholars of contemporary art situate Locke’s work within the context of colonial and postcolonial history and theory, reveal how his use of nontraditional materials—including cardboard, fabric, beads, sequins, and readymade toys—enables the artist to reflect on his Guyanese-British heritage, and consider how the artist’s dense, highly textured, and multilayered works fuse vernacular and formal traditions.

玛蒂娜·德罗斯（Martina Droth）是耶鲁大学英国艺术中心保罗·梅隆中心主任。

艾莉·比斯瓦斯（Allie Biswas）是一位驻伦敦的作家兼编辑。

Martina Droth is Paul Mellon Director of the Yale Center for British Art.

 Allie Biswas is a writer and editor based in London.