Renaissance: A New Museum for Princeton

文艺复兴：普林斯顿新博物馆志

ISBN：9780691978918 

发布日期：2025年12月16日

页数：160

尺寸：8.25 x 12 英寸

页面参数仅供参考，具体以实物为准

《文艺复兴：普林斯顿新博物馆》回顾了普林斯顿大学艺术博物馆作为北美最古老的收藏机构之一的历史，以及其建筑在校园建设中的作用。新馆将于2025年开放，这印证了博物馆长期以来秉持的理念：将艺术作品的原貌视为理解更广阔世界的重要工具。新馆由Adjaye Associates与Cooper Robertson联合设计，将博物馆定位在校园和市民生活的中心，使其成为公共人文中心。新馆拥有大幅扩展的空间，用于展示、保护和研究博物馆遍布全球的藏品。建筑由九个相互交错的“展馆”组成，巧妙地将宏伟的体量融入复杂的建筑和自然环境中，创造出能够凸显馆藏丰富多样性的空间。

《文艺复兴：普林斯顿新博物馆》一书收录了Richard Barnes令人惊艳的全新摄影作品和一系列富有启发性的文章。博物馆馆长詹姆斯·克里斯滕·斯图尔特（James Christen Steward）以图文并茂的形式，深入探讨了该机构从十八世纪至今的历史，将其视为一部不断兴建、拆除和重建的历程。著名建筑评论家保罗·戈德伯格（Paul Goldberger）从博物馆建筑和设计的角度对这座建筑进行了评述，而大学建筑师罗恩·麦考伊（Ron McCoy）则反思了博物馆的建筑及其对普林斯顿校园生活和建筑环境的贡献。艺术评论家马克·史蒂文斯（Mark Stevens，普林斯顿大学1973届毕业生）分享了他对在普林斯顿拥有这样一座博物馆的意义的深刻思考，而屡获殊荣的诗人苏珊·斯图尔特（Susan Stewart）则为本书创作了一首原创诗歌。

Renaissance: A New Museum for Princeton reflects on the history of the Princeton University Art Museum as one of the oldest collecting institutions in North America and the role of its architecture in campus making. The 2025 opening of its new building affirms the museum’s long-standing commitment to considering works of art in the original as essential tools for understanding the wider world. Designed by Adjaye Associates in association with Cooper Robertson, the new facility positions the museum at the heart of both campus and civic life as a center for the public humanities. With dramatically expanded space for the display, conservation, and study of the museum’s globe-spanning collections, the building is shaped from nine interlocking “pavilions” to weave its dramatic volumes successfully into a complex built and natural environment, creating spaces to amplify the exceptional diversity of objects to be found within.

Renaissance: A New Museum for Princeton unites stunning new photography by Richard Barnes with a series of illuminating essays. Museum Director James Christen Steward offers a richly illustrated investigation of the institution’s history from the eighteenth century to the present as one of building, effacing, and building anew. Renowned architecture critic Paul Goldberger provides a consideration of the building in relation to museum architecture and design, while University Architect Ron McCoy reflects on the museum’s architecture and its contribution to the life and built environment on the Princeton campus. Art critic Mark Stevens, Princeton Class of 1973, shares an evocative meditation on what it means to have such a museum at Princeton, and award-winning poet Susan Stewart contributes an original poem for the publication.

詹姆斯·克里斯滕·斯图尔特是普林斯顿大学艺术博物馆馆长，该馆长以南希·A·纳舍尔-大卫·J·海米塞格（1976届校友）命名。保罗·戈德伯格是《纽约时报》的建筑评论家，曾获普利策奖，同时也是《纽约客》的专栏作家。罗恩·麦考伊是普林斯顿大学的校建筑师。马克·史蒂文斯是一位艺术评论家，也是《德·库宁：一位美国大师》的合著者，该书荣获普利策奖和美国国家书评人协会奖。苏珊·斯图尔特是一位诗人、评论家和翻译家，著有《废墟的教训：西方文化中的意义与物质》等作品。理查德·巴恩斯是一位屡获殊荣的摄影师，其作品被众多公共和私人机构收藏，包括纽约现代艺术博物馆、艺术博物馆和惠特尼美国艺术博物馆。

James Christen Steward is the Nancy A. Nasher–David J. Haemisegger, Class of 1976, Director of the Princeton University Art Museum. Paul Goldberger is a Pulitzer Prize–winning architecture critic for The New York Times and a columnist for The New Yorker. Ron McCoy is University Architect at Princeton University. Mark Stevens is an art critic and the coauthor of de Kooning: An American Master, winner of the Pulitzer Prize and the National Book Critics Circle Award. Susan Stewart is a poet, critic, and translator whose books include The Ruins Lesson: Meaning and Material in Western Culture. Richard Barnes is an award-winning photographer whose work can be found in numerous public and private collections, including MoMA, the Met, and the Whitney.