【现货】Lee Friedlander: Christmas / 李·弗里德兰德：圣诞节
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原价：￥465.00
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书名：Lee Friedlander: Christmas / 李·弗里德兰德：圣诞节
定价：465.0
ISBN：9780871301055
作者：Lee Friedlander
版次：1
出版时间：2025-09
内容提要：
书名：Lee Friedlander: Christmas / 李·弗里德兰德：圣诞节
作者：Lee Friedlander (摄影)；Peter Kayafas (后记)
出版社：Eakins Press Foundation (由 Artbook / D.A.P. 发行)，2025年
装帧：精装，112页
语种：英文
尺寸：约 29.8*31.8 cm（11.75 x 12.5 英寸），106幅三色调图片
本书呈现了李·弗里德兰德对美国圣诞节的独特记录——从城市街道的商店橱窗到郊区住宅的草坪装饰，从塑料的耶稣诞生场景到铺天盖地的节日彩灯，弗里德兰德以充满机智与怀旧感的黑白摄影，捕捉了美国圣诞节的商业化、荒诞与奇异之美。书中收录了106幅照片，跨越艺术家的整个创作生涯，覆盖美国大部分地区，提供了一个关于美国文化的社会风景视角。
无论过去七十年中你是否庆祝过圣诞节，你无疑都曾见过弗里德兰德镜头下的许多场景——那些被灯光覆盖的房屋、夸张或令人失望的圣诞树、以及充满节日气息的商业橱窗。他的影像既非单纯的讽刺，也非纯粹的温情，而是对一个充满矛盾、创意与活力的社会的镜像式记录。
弗里德兰德（生于1934年）自1969年以来已出版超过六十部专著。1967年，他与黛安·阿勃丝和盖瑞·温诺格兰德一同参展纽约现代艺术博物馆的“新纪实”展览，该展被视为美国纪实摄影史上的里程碑事件；2005年，他在同一机构举办了回顾展。自1956年以来，他一直生活和工作于纽约。
As in all of his work, Friedlander's images of Christmas reflect his own version of the holiday. Is Christmas in America a religious celebration? A commercial precept? A misunderstanding? An indulgent blasphemy? Or all of the above? The only certain thing is that December 25 has provided an opportunity for the people's photographer to hold up a mirror to a flawed, inventive, preoccupied and wonderful society. Lee Friedlander (born 1934) has published more than 60 monographs since 1969. He was represented alongside Diane Arbus and Garry Winogrand in the 1967 New Documents exhibition at the Museum of Modern Art, now understood as a landmark event in American documentary photography, and received his own retrospective at the same museum in 2005. He has lived and worked in New York since 1956.
定价：465.0
ISBN：9780871301055
作者：Lee Friedlander
版次：1
出版时间：2025-09
内容提要：
书名：Lee Friedlander: Christmas / 李·弗里德兰德：圣诞节
作者：Lee Friedlander (摄影)；Peter Kayafas (后记)
出版社：Eakins Press Foundation (由 Artbook / D.A.P. 发行)，2025年
装帧：精装，112页
语种：英文
尺寸：约 29.8*31.8 cm（11.75 x 12.5 英寸），106幅三色调图片
ISBN：978-0-8713-0105-5
本书呈现了李·弗里德兰德对美国圣诞节的独特记录——从城市街道的商店橱窗到郊区住宅的草坪装饰，从塑料的耶稣诞生场景到铺天盖地的节日彩灯，弗里德兰德以充满机智与怀旧感的黑白摄影，捕捉了美国圣诞节的商业化、荒诞与奇异之美。书中收录了106幅照片，跨越艺术家的整个创作生涯，覆盖美国大部分地区，提供了一个关于美国文化的社会风景视角。
无论过去七十年中你是否庆祝过圣诞节，你无疑都曾见过弗里德兰德镜头下的许多场景——那些被灯光覆盖的房屋、夸张或令人失望的圣诞树、以及充满节日气息的商业橱窗。他的影像既非单纯的讽刺，也非纯粹的温情，而是对一个充满矛盾、创意与活力的社会的镜像式记录。
弗里德兰德（生于1934年）自1969年以来已出版超过六十部专著。1967年，他与黛安·阿勃丝和盖瑞·温诺格兰德一同参展纽约现代艺术博物馆的“新纪实”展览，该展被视为美国纪实摄影史上的里程碑事件；2005年，他在同一机构举办了回顾展。自1956年以来，他一直生活和工作于纽约。
With a healthy sprinkle of plastic and tinsel, Friedlander's visions of a commercial, uniquely American Christmas evoke both irony and nostalgia.
Whether or not you celebrated Christmas at some point during the last 70 years, you have no doubt encountered many of the scenes shown here in Lee Friedlander's eclectic black-and-white documentation of the holiday season across America. From city sidewalks to cookie-cutter suburbs, Friedlander captures it all: main street store window displays; plastic nativities on snow-covered lawns; inflatable snowglobes and Santa Clauses; questionable St. Nicholas–themed lingerie; oversize or underwhelming Christmas trees; and houses so covered in string lights as to demand nothing short of a miracle from the local power grid.As in all of his work, Friedlander's images of Christmas reflect his own version of the holiday. Is Christmas in America a religious celebration? A commercial precept? A misunderstanding? An indulgent blasphemy? Or all of the above? The only certain thing is that December 25 has provided an opportunity for the people's photographer to hold up a mirror to a flawed, inventive, preoccupied and wonderful society. Lee Friedlander (born 1934) has published more than 60 monographs since 1969. He was represented alongside Diane Arbus and Garry Winogrand in the 1967 New Documents exhibition at the Museum of Modern Art, now understood as a landmark event in American documentary photography, and received his own retrospective at the same museum in 2005. He has lived and worked in New York since 1956.
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