书名/Title：毕加索和里维拉：跨越时间的对话｜Picasso and Rivera: Conversations Across Time

作者/Author：迈克尔·戈万；戴安娜·马加洛尼｜Michael Govan; Diana Magaloni

出版/Publisher：Prestel, 2016

装帧/Binding：精装，288页，268幅彩图｜Hardback, 288 pages, 268 color illustrations

尺寸/Dimensions：29.7 × 25.7 × 3 cm

语种/Language：英语｜English

巴勃罗·毕加索（Pablo Picasso）和迭戈·里维拉（Diego Rivera）既属同一时代，也是昔日竞争对手，他们作为享誉国际的知名艺术家，都雄心勃勃、勤奋多产，并且非常懂得如何展现自己耀眼的个性。《毕加索和里维拉：跨越时间的对话》伴随2016年的同名展览而出版，展现了现代主义在欧洲和拉丁美洲形成过程中的交汇时刻，并探究了这两位20世纪的杰出人物是如何各自与所属文化中的古地中海和前哥伦布世界进行互动的。

此次展览于2016年12月4日至2017年5月7日举办，由洛杉矶郡立艺术博物馆（Los Angeles County Museum of Art）和墨西哥城美术宫博物馆（Museo del Palacio de Bellas Artes）联合主办。整场展览比较了毕加索和里维拉二人的艺术轨迹，首先探讨了二人相似的学术培训，展现了他们在立体主义上的共同投入，以及他们从20世纪20年代到50年代重返古典主义的历程。本书通过将150幅绘画、蚀刻画和水彩画，与非凡的古代艺术品相互关联形成对话，旨在加深读者对毕加索和里维拉艺术实践的理解，突出论述了他们的艺术创作如何受到古代艺术形式、神话和结构的深刻影响。

Pablo Picasso and Diego Rivera were contemporaries, erstwhile competitors, equally ambitious and prolific as renowned artists, internationally famous, and well aware of their larger-than-life personalities. Picasso and Rivera: Conversations Across Time was published in 2016 in conjunction with the exhibition of the same name. It presents moments of intersection in the formation of modernism both in Europe and Latin America, and asks how these towering figures of the twentieth century engaged with their respective ancient Mediterranean and Pre-Columbian worlds.

This exhibition was organized by the Los Angeles County Museum of Art and the Museo del Palacio de Bellas Artes, Mexico City, and held from Dec 4, 2016 to May 7, 2017.The exhibition compares their artistic trajectories beginning with their similar academic training to their shared investment in Cubism and their return to an engagement with antiquity from the 1920s through the 1950s. By placing 150 paintings, etchings, and watercolors in dialogue with each other and with singular ancient objects, Picasso and Rivera: Conversations Across Time aims to advance the understanding of Picasso and Rivera’s practice, particularly in how their contributions were deeply influenced by the forms, myths, and structures of the arts of antiquity.