书名：The Royal Pavilion, Brighton: A Regency Palace of Colour and Sensation / 布莱顿皇家穹顶宫：色彩与感觉的摄政宫殿
定价：365.0
ISBN：9780300266665
作者：Loske, Alexandra
版次：1
出版时间：2025-06

内容提要：
书名：The Royal Pavilion, Brighton: A Regency Palace of Colour and Sensation / 布莱顿皇家穹顶宫：色彩与感官的摄政时期宫殿
作者：Alexandra Loske（亚历山德拉·洛斯克）；David Beevers（序言）
出版社：Yale University Press，2025年
装帧：精装，272页（含250幅彩色插图）
语种：英文
尺寸：约 27.0*21.6 cm（270 x 216 mm）
ISBN：978-0-300-26666-5

简介

这是自1980年代以来对布莱顿皇家穹顶宫（Royal Pavilion）的首部深度研究。这座建筑常被视为浪漫主义想象力最引人注目的建筑表达，并已成为摄政时期风格的标志。乔治四世于1787至1823年间建造的布莱顿皇家穹顶宫，或许是展现欧洲对19世纪初所谓“东方”（尤其是中国和印度）迷恋的最为大胆迷人的建筑范例。其外观由著名建筑师约翰·纳什设计，融合了印度风格，并汇聚了多位才华横溢、富有创造力的建筑师、艺术家和设计师的贡献，创造出一座引人入胜、充满感官体验的建筑。
本书借助新的摄影作品、近期研究、保护项目以及2019至2022年举办的空前借展“王子的珍宝：从白金汉宫到皇家穹顶宫”，呈现了穹顶宫华丽“中国风”室内的全新面貌及其持久魅力。书中庆祝了这些室内的色彩与感官之美，同时将皇家穹顶宫置于其创建与发展时期的历史语境中——从法国大革命余波中的开端，到拿破仑战争期间及之后的改造与扩建，再到维多利亚时代早期的命运与遗产。

The first in-depth study since the 1980s of the Royal Pavilion in Brighton, a building that is often considered the most impressive architectural expression of the Romantic imagination and that has become a hallmark of Regency style. Created between 1787 and 1823 by George IV, the Royal Pavilion in Brighton is perhaps the most daring and enchanting example of a building that expresses the European fascination with what in the early nineteenth century was considered the "Orient," in particular China and India. The building, with its Indian-inspired exterior, was the work of the renowned architect John Nash, who with the contributions of several other gifted and inventive architects, artists, and designers, created a building that draws you in, takes you on a journey, and plays with your senses. Featuring new photography, this lavishly illustrated book will provide a fresh look at the sumptuous Chinoiserie interiors of the Royal Pavilion and their enduring appeal. Drawing on recent research, conservation projects, and the unprecedented loan exhibition A Prince's Treasure: From Buckingham Palace to the Royal Pavilion (2019–22), this book celebrates the colours and sensual beauty of these interiors while situating the Royal Pavilion in the context of the time of its creation and development under royal ownership, from its beginning in the wake of the French Revolution, through its transformation and extension during and just after the Napoleonic Wars, to its fate and legacy in the early Victorian era.