Emulating Antiquity

《仿古》

出版社 : Yale University Press (2019年12月10日)

语言 : 英语

精装 : 352页

ISBN-10 : 0300225768

ISBN-13 : 978-0300225761

商品重量 : 1.26 kilograms

尺寸 : 18.8 x 2.79 x 25.91 cm

页面信息仅供参考，具体以实物为准

内容简介

本书以布鲁内莱斯基、布拉曼特、拉斐尔和米开朗基罗等建筑师的作品为重点，图文并茂地探讨了对古董的理解在文艺复兴时期的变化。大卫-赫姆索尔揭示了模仿策略的重大差异是如何将这一时期的主要建筑师区分开来的，并主张更细致地理解广泛接受的特例--由乔治-瓦萨里在16世纪首次阐明--文艺复兴时期的建筑是通过对古代的线性逐步同化而发展的。这本研究报告对文艺复兴时期的建筑师对待古董的复杂的、有时是矛盾的、经常是有争议的方式进行了深入的研究，使在简化的瓦萨里叙事中丢失的各种声音和意见变得生动起来，并对佛罗伦萨和罗马的文艺复兴时期的建筑进行了新鲜而全面的描述。

Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period’s leading architects from each other and argues for a more nuanced understanding of the widely accepted trope—first articulated by Giorgio Vasari in the 16th century—that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.