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Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴

538.00
运费: ¥ 9.00-38.00
Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品图0
Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品图1
Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品图2
Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品图3
Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品图4
Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品图5
Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品缩略图0 Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品缩略图1 Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品缩略图2 Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品缩略图3 Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品缩略图4 Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴 商品缩略图5

商品详情

书名:Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴建筑
定价:538.0
ISBN:9780300225761
作者:David Hemsoll
版次:1
出版时间:2019-11

内容提要:

题 目:Emulating Antiquity: Renaissance Buildings from Brunelleschi to Michelangelo / 仿古:从布鲁内莱斯基到米开朗基罗的文艺复兴建筑

作 者:David Hemsoll

出 版:Yale University Press,2019

装 帧:精装,352页

尺 寸:18.8*25.9 cm

 

 

A revelatory account of the complex and evolving relationship of Renaissance architects to classical antiquity

 

Focusing on the work of architects such as Brunelleschi, Bramante, Raphael, and Michelangelo, this extensively illustrated volume explores how the understanding of the antique changed over the course of the Renaissance. David Hemsoll reveals the ways in which significant differences in imitative strategy distinguished the period’s leading architects from each other and argues for a more nuanced understanding of the widely accepted trope—first articulated by Giorgio Vasari in the 16th century—that Renaissance architecture evolved through a linear step-by-step assimilation of antiquity. Offering an in-depth examination of the complex, sometimes contradictory, and often contentious ways that Renaissance architects approached the antique, this meticulously researched study brings to life a cacophony of voices and opinions that have been lost in the simplified Vasarian narrative and presents a fresh and comprehensive account of Renaissance architecture in both Florence and Rome.





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