Pollock: One: Number 31、1950: MoMA One on One Series / 波洛克:一号:1950年第31号(MoMA一对一系列)
| 运费: | ¥ 8.00-30.00 |
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定价:85.0
ISBN:9780870708480
作者:Charles Stuckey
版次:1
出版时间:2013-07
内容提要:
书 名:Pollock: One: Number 31、1950: MoMA One on One Series / 波洛克:一号:1950年第31号(MoMA一对一系列)
作 者:Charles Stuckey
出 版:The Museum of Modern Art, New York ,2013
装 帧:平装,48页
语 种:英语
尺 寸:18.4*22.8 cm
20世纪40年代末,杰克逊·波洛克(1912-1956,现被公认为最重要的抽象表现主义艺术家之一)开始尝试一种新的绘画方法,即将颜料滴洒、泼溅到直接平铺在地板上的画布上。这一过程调动了他的全身,所产生的图像是他为创作这些作品所耗费的狂放舞动能量的体现。“第一:第31号”(1950)是他用这种方法创作的少数几幅大型画作之一,淋漓尽致地展现了他对材料和技巧的精湛掌握。前博物馆馆长查尔斯·斯塔基撰写的一篇生动文章深入探讨了这幅画作,它是波洛克在纽约现代艺术博物馆(MoMA)藏品中的众多开创性作品之一。
In the late 1940s, Jackson Pollock (1912–1956), now recognized as one of the most important Abstract Expressionist artists, began experimenting with a new method of painting that involved dripping, flinging and pouring paint onto a canvas laid flat directly on the floor. This process engaged his entire body, and the resulting images were an index of the antic dancing energy he expended to create these works. “One: Number 31” (1950), among the handful of very large paintings he produced by this method, is a virtuoso showcase of his mastery of materials and technique. A lively essay by former museum curator Charles Stuckey offers an in-depth exploration of the painting, one of many groundbreaking works by Pollock in MoMA’s collection.

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