Art & Graphic Design: George Maciunas

艺术和平面设计：马西乌纳斯

语种：英语

精装：232 页

出版社：Yale University Press（02 Nov 2021）

ISBN10：0300249853

ISBN13：9780300249859

尺寸|重量：203 x 254 x 20.32mm | 929.86g

页面信息仅供参考，具体以实物为准

对20世纪60年代和70年代平面设计和美国艺术的交集的创新探索

这部关于平面设计在20世纪60年代和70年代美国艺术中所扮演的角色的精彩研究，集中于乔治-马乔纳斯、埃德-鲁沙和希拉-莱万特-德-布雷特维尔的作品。 Benoît Buquet考察了这些艺术家中的每一位是如何利用排版、物质性和其他平面设计美学的，他揭示了平面设计在创造Fluxus艺术家这个不同的国际团体中的一致性方面的重要性，以及对Ruscha的大部分波普艺术品牌的难以捉摸和抵制，以及对一系列女权主义艺术实践的开放和参与性视觉身份。严谨而令人信服的学术研究和大量的插图程序，展示了深刻的物体并置--其中一些以前从未被讨论过--结合起来，对美国艺术中丰富的创造力和文化转型期以及艺术和平面设计之间亲密无间（尽管经常被忽视）的关系进行了新的阐释。

An innovative exploration of the intersection of graphic design and American art of the 1960s and 1970s

This fascinating study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha's brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects—some of which have never been discussed before—combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.