书名：In Michelangelo's Mirror: Perino del Vaga, Daniele da Volterra, Pellegrino Tibaldi / 米开朗基罗之镜：佩里诺·德尔·瓦加、达尼埃莱·达·沃尔泰拉、佩莱格里诺·蒂巴尔迪
定价：880.0
ISBN：9780271056401
作者：Morten Steen Hansen
版次：1
出版时间：2013-07

内容提要：

书名：In Michelangelo's Mirror: Perino Del Vaga, Daniele Da Volterra, Pellegrino Tibaldi / 在米开朗基罗的镜中：佩里诺·德尔·瓦加、达尼埃莱·达·沃尔泰拉、佩莱格里诺·蒂巴尔迪
作者：Morten Steen Hansen
出版社：Penn State University Press，2013年
装帧：精装，约218页
语种：英文
尺寸：约 27 cm
ISBN：978-0-2710-5640-1

简介

本书探讨了三位风格主义（Mannerism）画家——佩里诺·德尔·瓦加（Perino del Vaga）、达尼埃莱·达·沃尔泰拉（Daniele da Volterra）和佩莱格里诺·蒂巴尔迪（Pellegrino Tibaldi）——在16世纪20年代至米开朗基罗去世期间，如何通过模仿这位艺术巨匠的作品来确立自身风格。作者Morten Steen Hansen以“模仿”作为核心线索，论证了这些追随者并非只是被动地复制米开朗基罗的风格。通过深入分析他们作品中对米开朗基罗形式的引用和改造，本书揭示了“模仿”背后的复杂性：它既是一种虔诚的认同，也可能带有微妙的距离感甚至反讽意味，是风格主义艺术家在寻求自身艺术定位时的重要策略。

Explores the imitation of Michelangelo by three artists, Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi, from the 1520s to the time around Michelangelo's death in 1564. Argues that his Mannerist followers applied imitation to identify with and/or create ironical distance from the older artist. In Michelangelo's Mirror, the author reconsiders the question of Italian mannerism, focusing on the idea of imitation in the works of such artists as Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi. With the unveiling of the Sistine Last Judgment in 1541, Michelangelo stood accused of having set artifice above the sacred truth he was meant to serve, effectively making an idol of his art. Hansen examines the work of three of the master's most talented followers in the light of this critical backlash. He argues that their choice to imitate Michelangelo was highly self-conscious and related to the desire to construct their own artistic identities, either by associating their work directly with the ideal paradigm (Daniele), through irony and displacement (Perino), or by incorporating both approaches (Tibaldi).