书名：The New York Tapes: Alan Solomon's Interviews for Television, 1965-66
定价：305.0
ISBN：9780578635286
作者：Matthew Simms
版次：2
出版时间：2023-11

内容提要：

纽约录音带 阿兰-所罗门 1965-66 年电视访谈录 英文原版The New York Tapes: Alan Solomon's Interviews for Television,1965-66

基本信息

• 出版社 ? : ? Circle Books/Archives of American Art, Smithsonian Institution (2023年 10月 31日)
• 语言 ? : ? 英语
• 平装 ? : ? 665页
• ISBN-10 ? : ? 0578635283
• ISBN-13 ? : ? 978-0578635286
• 商品重量 ? : ? 885 g
• 尺寸 ? : ? 12.7 x 19.1 cm

内容介绍

著名策展人艾伦-所罗门（Alan Solomon）于 60 年代中期为电视台采访的一些美国战后*尖艺术家，

包括弗兰肯特尔（Frankenthaler）、约翰斯（Johns）、奥尔登堡（Oldenburg）、劳森伯格（Rauschenberg）、斯特拉（Stella）和沃霍尔（Warhol），

这些采访最初均未公开发表。

这本内容丰富的画册首次出版了一系列对东海岸开创性艺术家及其助手的访谈，

包括肯尼斯-诺兰、吉姆-戴恩、罗伊-利希滕斯坦、玛塞拉-布伦纳、海伦-雅各布森、克莱门特-格林伯格、海伦-弗兰肯特勒、

拉里-波恩斯、弗兰克-斯特拉、罗伯特-劳申伯格、贾斯珀-约翰斯、克莱斯-奥尔登伯格、巴内特-纽曼、利奥-卡斯特利、安迪-沃霍尔、

杰拉德-马兰加和爱迪-塞奇威克。这些作品是著名策展人艾伦-所罗门（Alan Solomon）在 1965 年底和 1966 年初为电视系列纪录片《美国：艺术家》制作的，

所罗门是当时纽约艺术界的常客。这是所罗门近期策展工作的合理延伸，其中最重要的是他在 1964 年威尼斯双年展上组织的美国展览。

半小时的剧集形式意味着所罗门的大量原始访谈内容（其中一些长达一小时或更长）最终被剪辑掉。

在该系列完成后的某一时刻，原始拍摄和录制的访谈都已遗失。

在史密森学会下属的美国艺术档案馆（本册的联合出版商）保存的艾伦-R-所罗门（Alan R. Solomon）文件中，

只有一套打字记录稿是原始访谈的唯一完整记录。

《纽约录音带》收集了这些访谈记录，并首次将它们作为一个群集出版，并配有大量电视节目剧照和相关文献的插图。

这些记录稿提供了最终节目中没有收录的素材，同时也揭示了收录的素材是如何被巧妙处理以适应电视纪录片的格式的。

编辑马修-西姆斯（Matthew Simms）在内容丰富的导言中介绍了该项目的背景，并强调了访谈与电影之间的差异，

为战后美国艺术的萌芽时刻及其如何向公众展示揭开了新的面纱。

Previously unpublished interviews with some of America’s leading postwar artists―including Frankenthaler, Johns, Oldenburg, Rauschenberg, Stella and Warhol―originally conducted for TV in the mid-’60s by famed curator Alan Solomon

This substantial volume publishes for the first time a series of interviews conducted with seminal East Coast artists and their associates, including Kenneth Noland, Jim Dine, Roy Lichtenstein, Marcella Brenner, Helen Jacobson, Clement Greenberg, Helen Frankenthaler, Larry Poons, Frank Stella, Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Barnett Newman, Leo Castelli, Andy Warhol, Gerard Malanga and Edie Sedgwick. These were produced in late 1965 and early 1966 for the documentary television series USA: Artists by famed curator Alan Solomon, who was a regular fixture in the New York art world of the time. This was a logical extension of Solomon's recent curatorial involvements, including most importantly his organization of the United States exhibition at the 1964 Venice Biennale.
The half-hour format of the episodes meant that a vast amount of Solomon’s original interviews, some of which lasted an hour or more, wound up on the cutting-room floor. At some point after the series was completed the original filmed and tape-recorded interviews were lost. A single set of typed transcripts, preserved in the Alan R. Solomon papers at the Archives of American Art, a branch of the Smithsonian Institution (copublisher of this volume), is the sole complete record of the original interviews.
The New York Tapes gathers these interview transcripts and publishes them as a group for the first time, extensively illustrated with numerous stills from the television programs and related documentation. The transcripts make available material that was not included in the final programs, while also revealing how what was included became subtly manipulated to fit the format of documentary television. An informative introduction by editor Matthew Simms sets the project in context and highlights the differences between the interviews and the films, shedding new light on a germinal moment in postwar American art and how it was presented to the public.