书名：John Baldessari: The Stadel Paintings / 约翰·巴尔代萨里：施泰德绘画
定价：360.0
ISBN：9783777424491
作者：Martin Engler
版次：1
出版时间：2015-01

内容提要：

题 目：John Baldessari: The Stadel Paintings / 约翰·巴尔代萨里：施泰德绘画

作 者：Martin Engler

出 版：Hirmer Publishers，2015

装 帧：精装，176页

语 种：英文，德文

尺 寸：28.5*28.5 cm

 

 

约翰·巴尔代萨里是美国重要概念艺术家，亦是战后前卫艺术浪潮的最后代表人物。他为法兰克福展览创作的大型拼贴作品，汲取了施泰德博物馆从老卢卡斯·克拉纳赫至玛丽亚·拉斯尼格等大师杰作的养分。通过文本与图像的多元对抗与并置，呈现出新旧艺术的精彩对话。

1970年，约翰·巴尔代萨里（1931*）焚毁了1953至1966年间创作的全部画作，由此开辟出介于绘画与摄影、文本与图像之间独特而自成一格的视觉语言。他运用蒙太奇与日常元素融入等经典现代主义图像策略，将其与战后前卫艺术实践中的消费主义及媒体论述进行对话。

巴尔代萨里通过媒介与材料的交织，融合了截然不同的艺术主题群。在此过程中，明确的图像语言已让位于多重解读的可能性。

 

John Baldessari is an important American conceptual artists and the last member of the American post-war avant-garde. His large collages, created for the Frankfurt exhibition, draw on masterpieces at the St?del, from Lucas Cranach the Elder to Maria Lassnig. A multifaceted opposition and juxtaposition of old and new art is revealed by the texts and photographs.

By destroying all of his paintings created from 1953 to 1966 in 1970, John Baldessari (*1931) paved the way for an independent and unmistakeable pictorial style between painting and photography, text and image. He employs classic Modernist pictorial strategies such as montage and the integration of everyday elements in order to confront these with artistic practices of the post-war avant-gardes, such as discourses on consumerism and the media.

Baldessari intertwines media and materials and thereby combines entirely distinct groups of artistic subjects. In the process, the unambiguousness of the pictorial language has given way to a multi-layered readability.