书名：Baselitz: A Life In Print / 巴塞利兹：版画人生
定价：608.0
ISBN：9788857254326
作者：Cornelius Tittel, Georg Baselitz
版次：1
出版时间：2026-02

内容提要：

题 目：Baselitz: A Life In Print / 巴塞利兹：版画人生

作 者：Cornelius Tittel, Georg Baselitz

出 版：Skira Editore，2026

装 帧：平装，256页

语 种：英文

尺 寸：23*30*2.5 cm

 

 

关于巴塞利兹版画创作的首部全面概览。

《版画人生》庆祝了格奥尔格·巴塞利兹艺术实践中一个重要部分六十年的创作历程，是这一领域的首部全面著作。

这位被公认为在世最伟大画家之一、并被誉为在抽象统治艺术世界的时代重振具象绘画的德国艺术家，自1964年起便开始探索不同的版画技法，并始终将其视为自己作品中不可或缺的一部分。当他的同代艺术家们利用新的胶印和丝网印刷技术，制作出通常为高印数的复制品时，巴塞利兹却摒弃了这种时代精神，转而探索干刻蚀刻、飞尘腐蚀法、木刻和麻胶版画等古老技法，同时不知疲倦地挑战着自身的艺术极限。

本书汇集了超过245幅版画作品，向读者介绍了巴塞利兹职业生涯中的所有重要主题与动机——从1960年代中期所谓的“英雄”系列，到他标志性的鹰的形象，再到其妻子埃尔克的众多肖像。本书强有力地论证了：自毕加索以来，没有哪位艺术家在版画这一领域比巴塞利兹做得更多、贡献更大。

本书由科尼利厄斯·蒂特尔与慕尼黑的巴塞利兹档案馆密切合作编辑而成，收录了关于巴塞利兹版画艺术的经典历史文论选集——其中包括他本人的文章、同辈艺术家佩尔·柯克比以及迈克尔·森夫和赖纳·迈克尔·梅森等艺术史学家的著述。科德博物馆策展人弗罗德·桑德维克的一篇新论文，则探讨了爱德华·蒙克与格奥尔格·巴塞利兹在版画作品中的共同亲和力。

 

 

The first comprehensive survey of Baselitz’s printmaking

Celebrating six decades of print making, A Life In Print is the first comprehensive book on an important part of Georg Baselitz’ artistic practice.

Considered to be one of the greatest painters alive and credited to have revived Figuration in a time when Abstraction ruled the art world, the German artist started to explore different print techniques beginning in 1964, and never stopped to see them as an integral part of his work. While his contemporaries used new offset and screen-print techniques to create what amounted to reproductions in often high editions, Baselitz rejected the Zeitgeist and explored century old techniques like dry point etchings, aquatinta, wood and linocuts, while tirelessly pushing his own artistic limits.

The book brings together more than 245 prints and introduces the reader to all major themes and motives of Baselitz career, from the so-called Heroes of the mid-60ies to his iconic images of Eagles to the manyfold portraits of his wife Elke. The book forcefully makes the point that no other artist since Picasso has done more for and in that genre than Baselitz.

Edited by Cornelius Tittel in close collaboration with the Baselitz Archive in Munich, the book features an anthology of the quintessential historic texts on Baselitz’ printmaking – amongst others by himself, fellow artist Per Kirkeby and art historians like Michael Semff and Reiner Michael Mason. A new essay by Frode Sandvik, curator at Kode Museum, explores the shared affinities in the print work of Edvard Munch and Georg Baselitz.