书名：Sophie Taeuber-Arp: The Rule Of Curves / La Regle Des / 索菲·陶伯-阿尔普：曲线的规则
定价：325.0
ISBN：9783907493168
作者：Briony Fer
版次：1
出版时间：2026-01

内容提要：

题 目：Sophie Taeuber-Arp: The Rule Of Curves / La Regle Des / 索菲·陶伯-阿尔普：曲线的规则

作 者：Briony Fer

出 版：Hauser & Wirth Publishers，2026

装 帧：精装，196页

语 种：英文

尺 寸：24.5*28*2 cm

 

 

追溯陶贝尔-阿尔普短暂而丰硕的职业生涯中动觉形式感的发展脉络

由艺术史学家布里奥妮·费尔编辑并撰文，《曲线的法则》一书审视了20世纪重要艺术家与设计师索菲·陶贝尔-阿尔普的作品。在其短暂的职业生涯中，陶贝尔-阿尔普身兼画家、雕塑家、建筑师、表演者、编舞家、教师、作家以及纺织品、舞台布景与室内设计师等多重身份，难以被归类。她自信地调和了各种极端——达达主义与几何抽象、纯艺术与实用物品——陶贝尔-阿尔普的作品大胆地与国际现代主义的思想语境展开了对话。

这本双语精装书以主题为驱动，聚焦于推动她创新且广泛创作的形式逻辑，同时揭示了在不同媒介间的切换如何既拓展又凝结了她的美学。本书尤其追溯了陶贝尔-阿尔普如何将曲线融入她的几何抽象作品——这一母题对让（汉斯）·阿尔普的生物形态视觉语言进行了精妙的延展。除了费尔对陶贝尔-阿尔普作品提出的全新批判性见解之外，学者珍妮·纳赫蒂加尔的一篇文章还探讨了这位艺术家的“环境”概念，以及重力、运动和电影感如何成为理解艺术家动觉感受力的关键。

索菲·陶贝尔-阿尔普（1889–1943）在苏黎世开始了她的应用艺术实践，她也在那里教授纺织品设计并参与了达达运动。从20世纪20年代末开始，陶贝尔-阿尔普完成了数个建筑与室内设计项目，其中最著名的是斯特拉斯堡的奥贝特娱乐综合体。1929年她移居巴黎后，便将注意力转向了抽象绘画与彩绘木浮雕。

 

Tracing the development of Taeuber-Arp's kinaesthetic formal sensibility across her short but bounteous career

Edited with an essay by art historian Briony Fer, The Rule of Curves examines the work of leading 20th-century artist and designer Sophie Taeuber-Arp. Taeuber-Arp defied categorization during her brief career through her work as a painter, sculptor, architect, performer, choreographer, teacher, writer and designer of textiles, stage sets and interiors. Reconciling extremes with confidence―Dada and Geometric Abstraction, fine art and utilitarian objects―Taeuber-Arp's works boldly engaged with the intellectual context of international modernism.

This bilingual clothbound volume is thematically driven, focusing on the formal logic that drove her innovative and wide-ranging creative production while revealing how working between mediums both expanded and crystallized her aesthetic. It particularly traces Taeuber-Arp's incorporation of curves into her geometric abstractions―a motif that elaborated upon Jean (Hans) Arp's biomorphic visual language. Alongside Fer's new critical insights into Taeuber-Arp's work, an essay by scholar Jenny Nachtigall explores the artist's "environments" and how notions of gravity, motion and the cinematic offer keys to understanding the artist's kinaesthetic sensibility.

Sophie Taeuber-Arp (1889–1943) began her applied arts practice in Zurich, where she also taught textile design and participated in the Dada movement. Starting in the late 1920s, Taeuber-Arp completed several architectural and interior design projects, most significantly the Aubette entertainment complex in Strasbourg. When she moved to Paris in 1929, she turned her attention to abstract paintings and painted wood reliefs.