题 目：Picasso Ingres: Face to Face / 毕加索与安格尔：面对面

作 者：Christopher Riopelle

出 版：National Gallery London ，2022

装 帧：平装，72页

尺 寸：22.6*26.8 cm

探索毕加索的《读书的女人》与安格尔的《莫特西耶夫人肖像》之间的迷人相似之处与差异。

本出版物详细探讨了两幅非凡且相互关联的作品：毕加索的《读书的女人》（1932年）和安格尔的《莫特西耶夫人肖像》（1844-1856年）。每幅画都进行了深入的剖析，揭示了两位艺术家在技法和创作追求上的相似之处与差异。第一篇文章讲述了安格尔创作《莫特西耶夫人肖像》长达十二年的历程，重点关注了素描在构图构思中的作用，以及画中人物本人如何决定自己的呈现方式。第二篇文章追溯了毕加索《读书的女人》的创作过程，这幅画是艺术家年轻恋人玛丽·泰雷兹·沃尔特最为著名的肖像之一。与安格尔的作品形成鲜明对比的是，这幅画仅在一两天内便完成。最后一篇文章则通过这两幅作品，探讨了两位艺术家对裸体与着衣身体之间关系的共同兴趣，揭示了毕加索对《莫特西耶夫人肖像》的深刻投入，这种投入激励并赋予了《读书的女人》以生命力。

An exploration of the fascinating parallels and differences between Picasso’s Woman with a Book and Ingres’s Madame Moitessier

This publication examines, in detail, two extraordinary interrelated works: Picasso’s Woman with a Book (1932) and Ingres’s Madame Moitessier (1844–56). Each painting is explored in depth, illuminating the parallels and differences between the artists’ techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres’s Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso’s Woman with a Book, among the most celebrated likenesses of the artist’s young lover, Marie-Thérèse Walter. In contrast to Ingres’s work, it was painted in just a day or two. The final essay explores, through these two works, the artists’ shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso’s engagement with Madame Moitessier, which motivates and animates Woman with a Book.