书名：3D: Double Vision/3D：双重视觉

作者：Britt Salvesen
出版：Prestel，2018-04-02
装帧：16开，精装

尺寸：23.8*27.9 cm

本书追溯了3D视觉奇观的兴起，从19世纪的立体镜技术到当代的3D电影制作和艺术作品。

本书回顾了几十年来3D摄影技术的发展历程，展示了这一实践如何演变，而具有讽刺意味的是，又如何回归到最基本的表现形式。作者布里特·萨尔维森（Britt Salvesen）怀着毕生的执着，探索了立体镜的起源及其影响，并展示了朱尔斯·迪博斯克（Jules Duboscq）、奥斯卡·菲舍尔（Oskar Fischinger）、萨尔瓦多·达利（Salvador Dalí）等人的历史影像。她将这一发明追溯到电影诞生之初，然后讲述了其在二战后的各种形式，如观景器、光栅印刷和全息摄影。读者将了解3D摄影是如何融入约翰·巴尔代萨里（John Baldessari）、丹·格雷厄姆（Dan Graham）和安迪·沃霍尔（Andy Warhol）等艺术家的作品之中。本书涵盖了100多年的创新与实验，涉及广泛的艺术类型、艺术家和艺术形式——从复杂的感知实验到大众电影——展示了3D图像的魅力为何依然吸引着21世纪的艺术家和观众。每本书都配有2副眼镜（一副立体镜和一副立体互补色眼镜），以增强读者对这种多维艺术表现形式可能性的欣赏。

This book traces the rise of the 3D spectacle, from 19th-century stereoscopy to contemporary 3D filmmaking and artworks.

This book follows the advancement of 3D photography over the decades, showing how the practice has evolved and, ironically, returned to its most basic form of expression. Pursuing a career-long obsession, author Britt Salvesen explores the origins and impact of the stereoscope, featuring historic images by Jules Duboscq, Oskar Fischinger, Salvador Dalí, and others. She traces the invention to the dawn of film, and then to its post-World War II iterations, such as the ViewMaster, lenticular printing, and holography. Readers learn how 3D photography became incorporated into the work of such artists as John Baldessari, Dan Graham, and Andy Warhol. Encompassing more than 100 years of innovation and experimentation, and covering a wide range of genres, artists, and forms—from sophisticated perceptual experimentation to popular cinema—this volume shows how the mystery of 3D images remain appealing to 21st-century artists and audiences. Each book includes 2 sets of glasses (one stereoscopic and one anaglyph), to enhance readers’ appreciation of the possibilities in this multi-dimensional form of artistic expression.