书名：El Croquis 231: SelgasCano (2014–2025) Loose Parts Play / El Croquis 231：SelgasCano (2014–2025) 松散部件游戏
定价：755.0
ISBN：9788412823462
作者：El Croquis
版次：1
出版时间：2025-10

内容提要：

书名：El Croquis 231: SelgasCano (2014–2025) Loose Parts Play / El Croquis 231：SelgasCano (2014–2025) 松散部件游戏

作者：El Croquis

出版：El Croquis，2025年

装帧：平装，360页

语种：西班牙文, 英文

尺寸：25*32*2.5 cm

 

 

Selgascano 建筑事务所于1992年在马德里创立，1996年设立了专属的工作空间，并于2006年迁至目前的工作室——名为“林中办公室”，值得一提的是，它至今仍是 Archdaily 网站上访问量最高的项目。这间工作室从一开始就被构想为一个小型工坊，并始终有意保持其亲密的规模。何塞·塞尔加斯和露西亚·卡诺倾向于不公开演讲，而是选择全身心投入他们的项目之中。

每一个委托项目都被视为一种独特的复杂性，拥有其自身的内部逻辑与个性。历史、记忆、经济、感知与自然，构成了那些不可避免地塑造建筑方案的核心要素。这一成果通过建筑师对建造过程的全身心投入而得以精炼——这个过程被理解为与从制作到安装的所有相关元素之间持续而专注的对话——同时也伴随着对常规解决方案如何在建筑用途中被重新诠释与简化的持续探索。

该工作室始终避免使用源于个人学科偏见的装置与机制，而是追求一种任何人类个体都能理解的美。在每一个项目中，并且越来越重要的是，工作室认为建筑必须尽可能多地将空间让渡给自然，建成环境的存在应被最小化，或缩减至那些能够通过人工手段以及应用来自与建筑鲜有关联的领域的技术，促成未来自然形态得以浮现的元素。

 

Selgascano's practice began in Madrid in 1992, established a dedicated workspace in 1996, and relocated in 2006 to their current studio, named the Office in the Woods – notably, the most visited project on Archdaily to date– Conceived as a small-scale workshop, the studio has always intended to preserve its intimate scale. José Selgas and Lucía Cano tend to refrain from giving public lectures, choosing instead to devote themselves entirely to their projects.

Each commission is approached as a distinct complexity, with its own internal logic and personality. History, memory, economy, perception, and nature form the core elements that inevitably shape the architectural response. This outcome is refined through the architects' complete involvement in the construction process, understood as a continuous, attentive dialogue with all elements at play –from fabrication to installation– coupled with an ongoing investigation into how conventional solutions might be reinterpreted and streamlined for architectural use.

The studio has always avoided the use of devices and mechanisms stemming from personal disciplinary concerns, instead pursuing a form of beauty that can be understood by any human being. In every project, and increasingly so, it is essential for the studio that architecture relinquish as much space as possible to nature, and that the presence of the built environment be minimised or reduced to those elements which, through artificial means and the application of technologies borrowed from fields rarely associated with architecture, enable the emergence of future forms of nature.