Blake'S Printed Paintings

《威廉布莱克的印刷画》

出版社 : Paul Mellon Centre; 第 Illustrated 版 (2021年7月6日)

语言 : 英语

精装 : 256页

ISBN-10 : 1913107205

ISBN-13 : 978-1913107208

商品重量 : 1.16 kilograms

尺寸 : 21.59 x 27 cm

页面信息仅供参考，具体以实物为准

内容简介

对威廉-布莱克光辉灿烂、备受赞誉的十二幅单幅画系列的深入研究

在威廉-布莱克（1757-1827）作为艺术家最广为人知和备受赞誉的作品中，有12幅彩色印刷图画，即单版画，构思和执行于1795年。本书研究了这些杰作，解释了布莱克的技术--他基本上是重新发明的，没有意识到17世纪的先驱，表明这些作品是作为绘画制作的，并在布莱克作为画家的发展中发挥了关键作用。约瑟夫-维斯科米利用材料和历史分析，认为这些单版画是作为独立的绘画创作的，而不是作为布莱克书籍的插图，有一个预定的观看顺序。通过丰富的插图，文本在其时代背景下接近这些作品，没有脱离布莱克著作中所表达的思想，但不是说明或由这些著作决定的。

An in-depth examination of William Blake’s glorious and acclaimed series of twelve monoprints

Among William Blake’s (1757–1827) most widely recognized and highly regarded works as an artist are twelve color printed drawings, or monoprints, conceived and executed in 1795. This book investigates these masterworks, explaining Blake’s technique—one he essentially reinvented, unaware of 17th-century precursors—to show that these works were produced as paintings, and played a crucial role in Blake’s development as a painter. Using material and historical analyses, Joseph Viscomi argues that the monoprints were created as autonomous paintings rather than as illustrations for Blake’s books with an intended viewing order. Enlivened with bountiful illustrations, the text approaches the works within the context of their time, not divorced from ideas expressed in Blake’s writings but not illustrative of or determined by those writings.