ISBN：9780900785481

书名/Title：彼得·马里诺收藏的文艺复兴时期与巴洛克式青铜｜Renaissance and Baroque Bronzes: In and Around the Peter Marino Collection

作者/Author：杰里米·沃伦｜Jeremy Warren

出版/Publisher：Paul Holberton Publishing，2013

装帧/Binding：平装，224页｜Paperback, 224 pages

尺寸/Dimensions：16.5 × 24 × 1.5 cm

语种/Language：英语｜English

内容提要：

著名建筑师彼得·马里诺（Peter Marino）收藏了一批杰出的欧洲青铜雕塑，尤其专注于法国和意大利巴洛克盛期（High Baroque）的青铜器，其中包括一些当时最伟大的雕塑家，如费迪南多·塔卡（Ferdinando Tacca，1619-1686）、乔凡尼·巴蒂斯塔·福格尼（Giovanni Battista Foggini，1652-1725）、罗伯特·勒洛兰（Robert Le Lorrain，1666-1743）和克尔奈耶·凡·克雷夫（Corneille van Clève）。书中收录了2010年6月举行的研讨会的学术成果，包括9篇由雕塑研究学者撰写的论文，展示了马里诺收藏的重要性。

查尔斯·艾弗里（Charles Avery）撰写了关于詹博洛尼亚（Giambologna，1529-1608，也称Giovanni Da Bologna）和贝尔尼尼（Bernini，1598-1680）的主要专著，探讨了马里诺收藏中最令人兴奋的典范之一《大力神和安托奥斯》（Hercules and Aneaus）背后的推动力。

卢浮宫雕塑部主任吉纳维夫·布雷斯克-鲍蒂埃（Geneviève Bresc-Bautier）检视了大量的小陶土雕塑，这些雕塑被认为出自安德烈斯-查尔斯·布尔（André-Charles Boulle，1642-1732）的工作室，后者于1720年被摧毁。

安西娅·布鲁克（Anthea Brook）曾出版多部关于费迪南多·塔卡（Ferdinando Tacca，1619-1686）的著作，探讨了马里诺收藏中一对小型佛罗伦萨青铜狩猎群的归属，使塔卡工作室的青铜铸造专家达米亚诺·卡佩利（Damiano Cappelli，1662-1688）被认为是一位能够创造独特设计的雕塑家。

罗萨里奥·科佩尔（Rosario Coppel）研究了令人印象深刻的第三代阿尔卡拉公爵（Duke of Alcalá，1583-1637）的小型青铜器收藏，他是腓力四世派遣至教皇乌尔班八世的杰出大使，后来担任那不勒斯总督和统领。

卢浮宫青铜、象牙和金属部策展人菲利普·马尔古耶尔斯（Philippe Malgouyres）讨论了贝尔尼尼雕塑之后的青铜铸件，这是贝尔尼尼研究领域中的一个细分主题。

伦敦大学瓦尔堡研究所（Warburg Institute）的高级研究员詹妮弗·蒙塔古（Jennifer Montagu）试图在德国亚琛的苏尔蒙特-路德维希博物馆（Suermondt-Ludwig Museum）拼凑和定义一位无名雕塑家创作的一组15座青铜猎人、他们的猎犬和一头公牛塑像。

独立学者雷吉娜·塞利格·特乌文（Regina Seelig Teuwen）称赞纪尧姆·贝特洛（Guillaume Berthelot）是一位小型青铜雕塑家；华莱士收藏馆的收藏与学术部主任杰里米·沃伦（Jeremy Warren）讨论了2010 年广受好评的彼得·马里诺藏品特展图录曾经面临的编写条目的挑战。

The outstanding collection of European bronze sculptures formed by acclaimed architect Peter Marino, which focuses especially on French and Italian bronzes of the High Baroque, includes masterpieces by some of the greatest sculptors of their age, among them Ferdinando Tacca, Giovanni Battista Foggini, Robert Le Lorrain and Corneille van Clève. This volume of contributions to the symposium held in June 2010 testifying to the importance of the Marino Collection includes nine essays by distinguished scholars of sculpture.

Charles Avery, author of major monographs on Giambologna and Bernini, discusses the impetus behind one of the most exciting models in the Marino Collection, a Hercules and Anteaus, after Maderno.

Geneviève Bresc-Bautier, Director of the Louvre Sculpture Department, examines the discovery of a large number of small pieces of terracotta sculpture, thought to be from the workshop of Andrés-Charles Boulle, which was destroyed in 1720.

Anthea Brook, who has published extensively on Ferdinando Tacca, considers the attribution of a pair of small Florentine bronze hunting gropus in the Marino Collection, making the case for Damiano Cappelli-a bronze-casting specialist in the workshop of Tacca-to be considered as a sculptor capable of creating his own designs.

Rosario Coppel investigates the impressive collection of small bronzes of the 3rd Duke of Alcalá (1583-1637), who was Philips IV’s extraordinary ambassador to Pope Urban VIII and later Viceroy and Captain General in Naples.

Philippe Malgouyres, Curator of Bronzes, Ivories and Metals at the Louvre, discusses the bronze casts after Bernini sculpture, a little-studied subject in the wide field of Bernini studies.

Jennifer Montagu, Senior Fellow of the Warburg Institute, attempts to put together and define the oeuvre of the unknown sculptor of the magnificient 15-figure group ofbronze hunters, their hounds and a bull, in the Suermondt Ludwig Museum in Aachen.