Gerhard Richter: Abstraction

《格哈德·里希特:抽象》

出版社 : Prestel (2020年9月22日)

语言 : 英语

平装 : 240页

ISBN-10 : 3791359924

ISBN-13 : 978-3791359922

商品重量 : 1.39 kilograms

尺寸 : 24.28 x 2.31 x 30.18 cm

页面信息仅供参考，具体以实物为准

内容简介

本书只关注格哈德-里希特作品中包含的抽象策略和过程。20世纪60年代初，艺术家开始对绘画提出质疑，这一探索至今仍占据着他的视野。20世纪70年代，他通过创作一系列灰色的单色作品来回应对绘画的排斥。此外，他把灰色看作是解决政治主题的一种手段，而不以理想化的方式来描绘它们。在1970年代的Inpainting系列中，里希特将笔触和颜料的应用作为主题。在其他作品中，他将调色板上的小细节拍摄下来，并以摄影写实的方式将其转移到大画布上。在他的色彩图表中，他把色彩的排列留给偶然的机会，使绘画受制于一个客观的过程。自1976年以来，里希特通过用画笔、刮刀和调色刀涂抹颜料，在有意识的决策和随机过程之间交替进行，创作了一系列抽象作品。

This book focuses solely on the abstract strategies and processes contained in Gerhard Richter's body of work. In the early 1960s, the artist began to call painting into question, an exploration that continues to occupy him to this day. In the 1970s, he responded to the rejection of painting by creating a series of monochrome works in gray. Moreover, he viewed the color gray as a means of addressing political themes without depicting them in an idealized manner. In his Inpainting series of the 1970s, Richter made brushstrokes and the application of paint his subject. In other works, he photographed small details from his palette and transferred them onto large canvases in a photorealistic manner. In his color charts, he subjected painting to an objective process by leaving the arrangement of the colors to chance. Since 1976, Richter has created a series of abstract works by applying paint with a brush, scraper, and palette knife, alternating between conscious decision-making and random processes.