ISBN：9780300196856  

书名/Title：全球化转向中的艺术史｜Art History in the Wake of the Global Turn

作者/Authors：由吉尔·卡西德和阿茹娜·德索萨编辑｜Edited by Jill H. Casid and Aruna D'Souza

出版/Publisher：Yale University Press, 2014

装帧/Binding：平装，256页，105幅黑白插图｜Paperback, 256 pages, 105 black-and-white illustrations

尺寸/Dimensions：18 × 24 cm

语种/Language：英语｜English

内容提要：

随着全球化不断地重塑文化景观，学者们长期以来呼吁对现有的以欧洲为中心的艺术史框架进行全面的重新评估。这本案例研究论文集是“克拉克视觉艺术研究”系列之一。本书汇集了来自不同学科和理论背景的声音，它们都提出了对这一看似统一的领域进行重新测绘、去中心化以及重新定向的方式。

这些作者和艺术家没有为长期以来分裂和脱节的领域制定一个标准化的策略，而是将全球化固有的挑战——尤其是地缘、政治、美学和语言学上的差异——重新定义为艺术史研究富有成效的起点。从再现的起源到“现代”的开端，再到全球化的历史及其影响，本书体现了如何从另外的角度看待艺术史，从而改写了它的部分基本叙事。

With globalization steadily reshaping the cultural landscape, scholars have long called for a full-scale reassessment of art history's largely Eurocentric framework.

This collection of case studies and essays from the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed terrain, these authors and artists reframe the inherent challenges of the global—most notably geographic, political, aesthetic, and linguistic differences—as productive starting points for study. As the book demonstrates, approaching art history from such alternative perspectives rewrites some of the most basic narratives, from the origins of representation to the beginnings of the “modern” to the very history of globalization and its effects.