书名：Leonardo、Frida and the Others: The History of Art、800 Years - 100 Artists / 达·芬奇、弗里达与其他人：800年艺术史—100位艺术家
定价：248.0
ISBN：9783791377186
作者：Camille Jouneaux
版次：1
出版时间：2024-03

内容提要：

书 名：Leonardo、Frida and the Others: The History of Art、800 Years - 100 Artists / 达·芬奇、弗里达与其他人：800年艺术史—100位艺术家

作 者：Camille Jouneaux

出 版：Prestel ，2024

装 帧：精装，360页

语 种：英语

尺 寸：17.7*22.8 cm

 

 

这本新颖且引人入胜的艺术史插图著作，在呈现从乔托到莱昂纳多、从弗里达到班克斯等艺术家构成的连续而惊人的时间线的同时，解释了每位艺术爱好者都需掌握的艺术基础知识，以及不同流派和风格的发展脉络。

 

当作者开始对绘画产生兴趣时，她会参观博物馆，并对自己所缺失的诸多信息感到困惑。一种风格是如何继另一种风格之后发展起来的？这些作品中隐藏着怎样的意义？这些艺术家的生活是怎样的？他们的作品是如何历经多年保存下来的？她渴望获得能够让她解读充满各种隐喻的画作的基础知识。正是这份好奇心，促成了这本通俗易懂且插图生动的著作，它汇集了八个世纪艺术的基础知识。本书涵盖了博物馆的结构、画家如何使用比例和透视、绘画的解剖结构等基础知识。朱诺还提供了桑德罗·波提切利与玛丽·卡萨特、克劳德·莫奈与琼·米切尔、德拉克洛瓦与鲁本斯等艺术家之间令人惊讶的比较。书中还探讨并解释了巴洛克、浮世绘、涂鸦、立体主义、堕落艺术和风格派等术语。与其他艺术史书籍相比，本书对非西方传统给予了更多的重视——中国、印度、澳大利亚原住民和非洲艺术都被纳入时间线中。许多在作者接受教育时被忽视的女性艺术家也被重新纳入艺术史的正统范畴。除了朴实无华但权威的文字外，书中还附有数百幅插图、复制品、时间线和侧边栏。

 

This fresh and engaging, illustrated history of art explains the fundamentals every art lover needs while presenting the development of different schools and styles as one continuous, astonishing timeline— from Giotto to Leonardo, Frida to Banksy.

When she became interested in painting, the author would visit museums and wonder about all the information she was missing. How did one style develop after another? What meanings were hidden in these works? What were these artists’ lives like? How did their works survive for so many years? She longed for the kind of essential knowledge that would enable her to decode a painting loaded with references. The result of her curiosity is a highly accessible and vividly illustrated book that brings together the fundamentals of eight centuries of art. It covers the basics about such topics as how museums are structured, how painters use proportion and perspective, the anatomy of a painting. Jouneaux offers surprising comparisons between artists such as Sandro Botticelli and Mary Cassatt, Claude Monet and Joan Mitchell, Delacroix and Rubens. Terms such as Baroque, Ukiyo-e, Graffiti, Cubism, Degenerate Art, and De Stijl are explored and explained. Non-western traditions are given much greater prominence than in other art history books – Chinese, Indian, Australian Aboriginal, and African Art are all included in the timeline. Numerous women artists who were overlooked during the author’s own education are restored to the canon. Accompanying the unpretentious but authoritative texts are hundreds of illustrations, reproductions, timelines and sidebars.