【中商原版】Cabins 45Th Ed 进口艺术 45周年纪念版 木屋 Taschen

Cabins. 45Th Ed.

【45周年纪念版】木屋

出版商 ‏ : ‎ TASCHEN;多语言版（2025 年 4 月 30 日）

语言 ‏ : 多语言

精装本 : ‎ 512 页

ISBN-10 : ‎ 3836593750

ISBN-13 : ‎ 978-3836593755

尺寸 : 16.4 x 3.4 x 22.3 厘米

页面参数仅供参考，具体以实物为准

自从亨利·戴维·梭罗在《瓦尔登湖，或林中生活》 （1854 年）中描述了他在马萨诸塞州瓦尔登湖畔度过的两年两个月零两天的避难生活以来，小木屋住宅的概念就深深地吸引了现代人的目光。在过去的十年里，随着我们的物质存在和环境足迹呈指数级增长，世界各地的建筑师都对最小、低影响和隔离住所的可能性特别感兴趣。《小木屋》结合了富有洞察力的文字、丰富的摄影作品以及 Marie-Laure Cruschi 明亮的现代插图，展示了这种特殊的建筑类型如何为创造性思维提供特殊的机会。在避免过度的同时，小木屋将实际空间侵入限制在生活必需品的最基本范围内，同时在响应其典型的乡村环境时，它突出了环保解决方案。这本小屋书展示了当代建筑界一些最具创造力和前瞻性的实践，包括伦佐·皮亚诺、藤森照信和汤姆·昆迪格，他们都拥抱这种精炼的庇护空间。这本书展示了各种用途和地理位置的小屋。从英国萨福克海岸的艺术家工作室到斯里兰卡的竹屋，这个系列的国际影响力与其简报、客户和情况的多样性一样令人兴奋。然而，始终如一的是建筑创新，以及在人们回归自然和较少破坏的生存模式时鼓舞人心的沉思与共存感。

Ever since Henry David Thoreau’s described his two years, two months, and two days of refuge existence at Walden Pond, Massachusetts, in Walden, or, Life in the Woods (1854), the idea of a cabin dwelling has seduced the modern psyche. In the past decade, as our material existence and environmental footprint has grown exponentially, architects around the globe have become particularly interested in the possibilities of the minimal, low-impact, and isolated abode.

Cabins combines insightful text, rich photography, and bright, contemporary illustrations by Marie-Laure Cruschi to show how this particular architectural type presents special opportunities for creative thinking. In eschewing excess, the cabin limits actual spatial intrusion to the bare essentials of living requirements, while in responding to its typically rustic setting, it foregrounds eco-friendly solutions. The cabin comes to showcase some of the most inventive and forward-looking practices of contemporary architecture, including Renzo Piano, Terunobu Fujimori, and Tom Kundig, all embracing such distilled sanctuary spaces.

The book showcases the variety of cabins in use and geography. From an artist studio on the Suffolk coast in England to a bamboo bungalow in Sri Lanka, this collection is as exciting in its international reach as it is in its array of briefs, clients, and situations. Constant throughout, however, is architectural innovation, and an inspiring sense of contemplation and coexistence as people return to nature and to a less destructive model of being in the world.

菲利普·乔迪迪奥曾在哈佛大学学习艺术史和经济学，并担任《艺术知识》（Connaissance des Arts）编辑超过20年。他出版的TASCHEN出版社的书籍包括《我们时代的家园》（Homes for Our Time ）系列，以及关于众多重要建筑师的专著，其中包括诺曼·福斯特、安藤忠雄、伦佐·皮亚诺、让·努维尔和扎哈·哈迪德。

Marie-Laure Crushi是一位法国插画家，于 2007 年在巴黎创立了 Cruschi-form 工作室。她的作品融合了艺术、平面设计、插画和排版。她对色彩和简洁模块化形式的敏锐触觉，使她能够创作出充满趣味和诗意的插画作品。Marie-Laure Crushi 长期为文化和时尚杂志、儿童读物以及音乐和奢侈品牌工作

Philip Jodidio studied art history and economics at Harvard and edited Connaissance des Arts for over 20 years. His TASCHEN books include the Homes for Our Time series and monographs on numerous major architects, including Norman Foster, Tadao Ando, Renzo Piano, Jean Nouvel, and Zaha Hadid.

Marie-Laure Crushi is a French illustrator who founded Cruschi-form in Paris in 2007. In her work, she combines art, graphic design, illustration, and typography. Her sensitivity to color and simple modular forms allows her to create playful and poetic illustrations. Marie-Laure Cruschi has long worked on cultural and fashion magazines and children’s books, as well as with music and luxury brands.